RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 11
Peter Paul Rubens ' first master was the landscape - painter Tobias Verhaeght ,
under whom however he studied but a short time . Then for four years he worked
in the atelier of Adam van Noort , an artist much praised by his contemporaries ...
Peter Paul Rubens ' first master was the landscape - painter Tobias Verhaeght ,
under whom however he studied but a short time . Then for four years he worked
in the atelier of Adam van Noort , an artist much praised by his contemporaries ...
Page 12
A perfect courtier , he was much esteemed by the Prince of Parma , whose court -
painter he became . He produced some rather clever works in imitation of the
then prevalent manneristic style of Italian art at that time . In 1598 Peter Paul ...
A perfect courtier , he was much esteemed by the Prince of Parma , whose court -
painter he became . He produced some rather clever works in imitation of the
then prevalent manneristic style of Italian art at that time . In 1598 Peter Paul ...
Page 13
A lengthy stay in Italy was regarded at that time as an indispensable factor in the
education of a painter . Rubens started on the 9th of May 1600 on his Italian
travels . He first went to Venice where the works of the masters of glowing colour
no ...
A lengthy stay in Italy was regarded at that time as an indispensable factor in the
education of a painter . Rubens started on the 9th of May 1600 on his Italian
travels . He first went to Venice where the works of the masters of glowing colour
no ...
Page 18
The proposal of the Mantuan Ambassador that the pictures should be restored
with the assistance of some Spanish painter , was firmly rejected by Rubens who
declared , “ that he did not choose to be associated with any one else ” .
The proposal of the Mantuan Ambassador that the pictures should be restored
with the assistance of some Spanish painter , was firmly rejected by Rubens who
declared , “ that he did not choose to be associated with any one else ” .
Page 22
He was no doubt right in adding that it was the painter ' s wish also to stay on in
Italy . Numbers of his paintings prove how deeply he was impressed by the great
Italian master - pieces and how much enjoyment he derived from them . We need
...
He was no doubt right in adding that it was the painter ' s wish also to stay on in
Italy . Numbers of his paintings prove how deeply he was impressed by the great
Italian master - pieces and how much enjoyment he derived from them . We need
...
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Common terms and phrases
according adorned altar altar-piece Ambassador Antwerp appears artist beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Garden give hand head Helena Fourment Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light London Louvre Love Madrid Maria Mary master Medici Museum nature negotiations object occasions once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably Queen received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |