Rubens |
From inside the book
Results 1-5 of 69
Page 12
We do not know however much about his early work; although the Holy Trinity in
the Museum at Antwerp is generally regarded as one of his first paintings. It
represents the Dead Christ, supported by two angels and holding the symbols of
his ...
We do not know however much about his early work; although the Holy Trinity in
the Museum at Antwerp is generally regarded as one of his first paintings. It
represents the Dead Christ, supported by two angels and holding the symbols of
his ...
Page 13
1) and we may therefore conclude that it was painted before he went to Italy. A
lengthy stay in Italy was regarded at that time as an indispensable factor in the
education of a painter. Rubens started on the 9th of May 1600 on his Italian
travels.
1) and we may therefore conclude that it was painted before he went to Italy. A
lengthy stay in Italy was regarded at that time as an indispensable factor in the
education of a painter. Rubens started on the 9th of May 1600 on his Italian
travels.
Page 14
with a salary ot 400 ducats per annum: and we know that Rubens painted for him
a number of fine portraits, besides various other pictures. In the year 1601 he was
sent to Rome to copy some of the celebrated old masters. Whilst there he also ...
with a salary ot 400 ducats per annum: and we know that Rubens painted for him
a number of fine portraits, besides various other pictures. In the year 1601 he was
sent to Rome to copy some of the celebrated old masters. Whilst there he also ...
Page 18
Only a portion ot the gifts, which included a carriage with seven Neapolitan
horses, could be delivered uninjured ; whilst the other part with the pictures
painted by Rubens for the Spanish court were entirely ruined through the rain.
Only a portion ot the gifts, which included a carriage with seven Neapolitan
horses, could be delivered uninjured ; whilst the other part with the pictures
painted by Rubens for the Spanish court were entirely ruined through the rain.
Page 19
For the Jesuit-church (St. Ambrogio) at Genoa he painted — it is uncertain when
— two altar- pieces : the Circumcision and St. Ignatius healing a Demoniac and
restoring to life Dead Children. This latter, which is very large, is a splendid work.
For the Jesuit-church (St. Ambrogio) at Genoa he painted — it is uncertain when
— two altar- pieces : the Circumcision and St. Ignatius healing a Demoniac and
restoring to life Dead Children. This latter, which is very large, is a splendid work.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 12 | |
| 13 | |
| 14 | |
| 77 | |
| 79 | |
| 81 | |
| 82 | |
| 83 | |
| 84 | |
| 85 | |
| 87 | |
| 15 | |
| 16 | |
| 17 | |
| 19 | |
| 20 | |
| 21 | |
| 23 | |
| 24 | |
| 25 | |
| 26 | |
| 27 | |
| 28 | |
| 29 | |
| 30 | |
| 31 | |
| 32 | |
| 33 | |
| 35 | |
| 36 | |
| 37 | |
| 39 | |
| 40 | |
| 41 | |
| 42 | |
| 43 | |
| 44 | |
| 45 | |
| 46 | |
| 47 | |
| 49 | |
| 50 | |
| 52 | |
| 53 | |
| 54 | |
| 55 | |
| 57 | |
| 58 | |
| 59 | |
| 60 | |
| 61 | |
| 62 | |
| 63 | |
| 65 | |
| 67 | |
| 69 | |
| 70 | |
| 71 | |
| 73 | |
| 74 | |
| 75 | |
| 76 | |
| 89 | |
| 90 | |
| 91 | |
| 92 | |
| 93 | |
| 94 | |
| 95 | |
| 96 | |
| 97 | |
| 98 | |
| 99 | |
| 101 | |
| 102 | |
| 103 | |
| 105 | |
| 107 | |
| 108 | |
| 109 | |
| 110 | |
| 111 | |
| 112 | |
| 113 | |
| 115 | |
| 116 | |
| 117 | |
| 119 | |
| 120 | |
| 121 | |
| 123 | |
| 125 | |
| 126 | |
| 127 | |
| 129 | |
| 131 | |
| 133 | |
| 135 | |
| 136 | |
| 137 | |
| 139 | |
| 140 | |
| 141 | |
| 143 | |
| 145 | |
| 147 | |
| 148 | |
| 149 | |
| 151 | |
| 153 | |
| 155 | |
| 156 | |
| 157 | |
Other editions - View all
Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels antique marbles Antwerp Antwerp Museum Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration designed Dornach drawings Dresden Gallery Duke of Mantua England engraving executed expression figures Flemish florins France Franz Hanfstangl Gallery at Cassel Gerbier goddess hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Johann Knackfuss landscape letter life-size Louis XIII Louvre magnificent Maria de Medici Mary Magdalene master Medici Gallery monks mother Munich Pinakothek Museum at Antwerp Museum at Vienna Netherlands nymph original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Vienna Fig Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |