RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 47
... charm in close contrast . In the Gallery at Cassel there is a splendid subject with a half - figure of Meleager presenting the bristling head of the Calydonian boar to the beautiful huntress , whilst Envy lurks in the background ...
... charm in close contrast . In the Gallery at Cassel there is a splendid subject with a half - figure of Meleager presenting the bristling head of the Calydonian boar to the beautiful huntress , whilst Envy lurks in the background ...
Page 88
... charm of their healthy vitality . Splendid personifications of Rubens ' ideal of female beauty are the Fates , who spin the thread of Fig . 70. THE JOURNEY TO PONT DE CÉ . Sketch for the picture of the Medici Gallery in the Louvre . In ...
... charm of their healthy vitality . Splendid personifications of Rubens ' ideal of female beauty are the Fates , who spin the thread of Fig . 70. THE JOURNEY TO PONT DE CÉ . Sketch for the picture of the Medici Gallery in the Louvre . In ...
Page 89
... to harmonize with the helmet of the goddess : - although otherwise the Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life . and as a stately matron in her later years . 89.
... to harmonize with the helmet of the goddess : - although otherwise the Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life . and as a stately matron in her later years . 89.
Page 92
... charm that this great master of colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration ...
... charm that this great master of colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration ...
Page 97
... charm of glowing colour . The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes ...
... charm of glowing colour . The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp artist Balthasar Moretus beautiful Berlin Museum Brussels Cardinal Infant Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery English engraving executed expression Ferdinand figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marble Maria de Medici master master-pieces Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna mythological negotiations Netherlands nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife wrote