RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 34
Their whole attention appears to be directed to raising the heavy cross , and
preventing it from slipping from its intended position . On one of the wings may be
seen the Centurion , surrounded by other men on horseback , giving his orders
with ...
Their whole attention appears to be directed to raising the heavy cross , and
preventing it from slipping from its intended position . On one of the wings may be
seen the Centurion , surrounded by other men on horseback , giving his orders
with ...
Page 45
Woodcarving also was greatly benefitted by the reproduction of his ideas ; so that
from this period works appear of real artistic merit in that branch of art . If we look
for dates on Rubens ' pictures we may find a mythological painting of Jupiter ...
Woodcarving also was greatly benefitted by the reproduction of his ideas ; so that
from this period works appear of real artistic merit in that branch of art . If we look
for dates on Rubens ' pictures we may find a mythological painting of Jupiter ...
Page 64
The subject of this latter painting , the Finding of the Tribute Money , appears also
on one of the wings of the altar - piece at Malines ; while the pendant represents
Tobias dragging a Fish out of the Sea , at the bidding of the Angel Raphael .
The subject of this latter painting , the Finding of the Tribute Money , appears also
on one of the wings of the altar - piece at Malines ; while the pendant represents
Tobias dragging a Fish out of the Sea , at the bidding of the Angel Raphael .
Page 71
... were , in their own brilliance , so frequently painted by Rubens as Mary
Magdalene , appears in an altogether different rôle , - as the Personification of
the Goddess of Love , - in a very carefully executed picture in the Liechtenstein -
Gallery .
... were , in their own brilliance , so frequently painted by Rubens as Mary
Magdalene , appears in an altogether different rôle , - as the Personification of
the Goddess of Love , - in a very carefully executed picture in the Liechtenstein -
Gallery .
Page 72
The two other Rivergods , the Danube and the Maramon , — the latter half hidden
in reeds and shadows , because at that period so little known , - appear more
youthful than their companions of the older worlds ( Fig . 57 ) . In 1620 again was
...
The two other Rivergods , the Danube and the Maramon , — the latter half hidden
in reeds and shadows , because at that period so little known , - appear more
youthful than their companions of the older worlds ( Fig . 57 ) . In 1620 again was
...
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Common terms and phrases
according adorned altar altar-piece Ambassador Antwerp appears artist beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Garden give hand head Helena Fourment Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light London Louvre Love Madrid Maria Mary master Medici Museum nature negotiations object occasions once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably Queen received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |