RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 12
... angels and holding the symbols of his Passion , in the arms of God the Father above whom hovers the Holy Spirit . It must be admitted , that this picture taken as a whole , is neithe satisfactory nor beautiful , but it certainly shows ...
... angels and holding the symbols of his Passion , in the arms of God the Father above whom hovers the Holy Spirit . It must be admitted , that this picture taken as a whole , is neithe satisfactory nor beautiful , but it certainly shows ...
Page 30
... angels joyously hover around it . In the two wings the Archduke and his Archduchess on their knees , clad in royal robes , and with their Patrons Fig . 23 . PERSEUS AND ANDROMEDA . In the Berlin Museum . ( To page 42. ) beside them ...
... angels joyously hover around it . In the two wings the Archduke and his Archduchess on their knees , clad in royal robes , and with their Patrons Fig . 23 . PERSEUS AND ANDROMEDA . In the Berlin Museum . ( To page 42. ) beside them ...
Page 39
... Angels on the side wings , for his friend Balthasar Moretus . This work was intended to be placed over the tomb of Moretus ' father in the Antwerp Cathe- dral , and it hangs there still . At that time the artist was mainly occupied in ...
... Angels on the side wings , for his friend Balthasar Moretus . This work was intended to be placed over the tomb of Moretus ' father in the Antwerp Cathe- dral , and it hangs there still . At that time the artist was mainly occupied in ...
Page 56
... angels ( Fig . 44 ) . According to an old tradition Rubens estimated the price of his works according to the time spent over them . He reckoned about 100 florins a day for his labour which , making allowance for the difference in the ...
... angels ( Fig . 44 ) . According to an old tradition Rubens estimated the price of his works according to the time spent over them . He reckoned about 100 florins a day for his labour which , making allowance for the difference in the ...
Page 58
... ANGEL OF THE LORD SMITES THE HOSTS OF SENNACHERIB . Pen and ink drawing in the Albertina at Vienna . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 68. ) especially to Mr ...
... ANGEL OF THE LORD SMITES THE HOSTS OF SENNACHERIB . Pen and ink drawing in the Albertina at Vienna . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 68. ) especially to Mr ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife