RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 10
When we think of these sad family - events we cannot read without emotion the eulogistic epitaph which his disconsolate widow inscribed upon his tombstone , still to be seen behind the altar in that church .
When we think of these sad family - events we cannot read without emotion the eulogistic epitaph which his disconsolate widow inscribed upon his tombstone , still to be seen behind the altar in that church .
Page 14
... to present to his titular church three altar - pieces . The " Crowning with Thorns " , the " Crucifixion " and the " Invention of the Cross " were the three pictures painted by Rubens on this occasion for this purpose .
... to present to his titular church three altar - pieces . The " Crowning with Thorns " , the " Crucifixion " and the " Invention of the Cross " were the three pictures painted by Rubens on this occasion for this purpose .
Page 18
In 1606 he was again in Rome , where he began to paint an altar - piece for an Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however , he could finish it , he was re- called by the Duke of Mantua , in whose ...
In 1606 he was again in Rome , where he began to paint an altar - piece for an Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however , he could finish it , he was re- called by the Duke of Mantua , in whose ...
Page 19
For the Jesuit - church ( St. Ambrogio ) at Genoa he painted - it is uncertain when - two altar- pieces : the Circumcision and St. Ignatius healing a Demoniac and restoring to life Dead Children . This latter , which is very large ...
For the Jesuit - church ( St. Ambrogio ) at Genoa he painted - it is uncertain when - two altar- pieces : the Circumcision and St. Ignatius healing a Demoniac and restoring to life Dead Children . This latter , which is very large ...
Page 21
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEVATION OF THE CROSS . THE ELEVATION OF THE.
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEVATION OF THE CROSS . THE ELEVATION OF THE.
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according adorned Albertina at Vienna altar-piece Ambassador Antwerp appears arms artist beautiful Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstängl Gallery Gerbier give hand head Imperial Infant intended Isabella Italy King known LADY landscape later learned letter light live Louvre Madrid Maria Mary master Medici Museum nature object once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen reason received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wish wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |