RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 23
which are still to be seen over the high - altar , representing the Queen of Heaven with three Saints on either hand . He reserved for himself how- ever the picture that he had first painted , in which , besides the two Patrons of the ...
which are still to be seen over the high - altar , representing the Queen of Heaven with three Saints on either hand . He reserved for himself how- ever the picture that he had first painted , in which , besides the two Patrons of the ...
Page 28
To show his grati- tude for so much honour , he painted this altar - piece without demanding any For this act the Queen of Heaven herself descended into. 28.
To show his grati- tude for so much honour , he painted this altar - piece without demanding any For this act the Queen of Heaven herself descended into. 28.
Page 29
For this act the Queen of Heaven herself descended into his cathedral in visible shape and presented him with a mantle of celestial texture . The Archbishop is represented here on his knees before a throne , which occupies the centre of ...
For this act the Queen of Heaven herself descended into his cathedral in visible shape and presented him with a mantle of celestial texture . The Archbishop is represented here on his knees before a throne , which occupies the centre of ...
Page 86
In the beginning of 1622 he came to Paris to make arrangements with the Queen herself : and it was on this occasion that he most probably painted the fine portrait of her now in the Museum at Madrid ( Fig . 68 ) .
In the beginning of 1622 he came to Paris to make arrangements with the Queen herself : and it was on this occasion that he most probably painted the fine portrait of her now in the Museum at Madrid ( Fig . 68 ) .
Page 89
The face is here idealized to harmonize with the helmet of the goddess : - although otherwise the Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life Fig . 72.
The face is here idealized to harmonize with the helmet of the goddess : - although otherwise the Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life Fig . 72.
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according adorned Albertina at Vienna altar-piece Ambassador Antwerp appears arms artist beautiful Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstängl Gallery Gerbier give hand head Imperial Infant intended Isabella Italy King known LADY landscape later learned letter light live Louvre Madrid Maria Mary master Medici Museum nature object once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen reason received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wish wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |