RubensVelhagen & Klasing, 1904 - 168 pages This biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 23
... Queen of Heaven with three Saints on either hand . He reserved for himself how- ever the picture that he had first painted , in which , besides the two Patrons of the church , he had represented the Virgin with other Saints and Pope ...
... Queen of Heaven with three Saints on either hand . He reserved for himself how- ever the picture that he had first painted , in which , besides the two Patrons of the church , he had represented the Virgin with other Saints and Pope ...
Page 28
... elected a member by this Brotherhood , all of whom were of noble lineage . To show his grati- tude for so much honour , he painted this altar - piece without demanding any For this act the Queen of Heaven herself descended into. 28.
... elected a member by this Brotherhood , all of whom were of noble lineage . To show his grati- tude for so much honour , he painted this altar - piece without demanding any For this act the Queen of Heaven herself descended into. 28.
Page 29
Hermann Knackfuss. For this act the Queen of Heaven herself descended into his cathedral in visible shape and presented him with a mantle of celestial texture . The Archbishop is represented here on his knees before a throne , which ...
Hermann Knackfuss. For this act the Queen of Heaven herself descended into his cathedral in visible shape and presented him with a mantle of celestial texture . The Archbishop is represented here on his knees before a throne , which ...
Page 86
... Queen herself : and it was on this occasion that he most probably painted the fine portrait of her now in the Museum at Madrid ( Fig . 68 ) . Three years later the paintings , representing various scenes from her life , with the ...
... Queen herself : and it was on this occasion that he most probably painted the fine portrait of her now in the Museum at Madrid ( Fig . 68 ) . Three years later the paintings , representing various scenes from her life , with the ...
Page 89
... Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life Fig . 72. STUDY FROM THE NUDE . Drawing in. Fig . 71. THE RECONCILIATION . Drawing in the Albertina at Vienna . ( To page. 89.
... Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life Fig . 72. STUDY FROM THE NUDE . Drawing in. Fig . 71. THE RECONCILIATION . Drawing in the Albertina at Vienna . ( To page. 89.
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife