Rubens |
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Page 5
But neither Cologne nor her rival, Antwerp, can support their claim to the honour
of having given birth to the Flemish artist-prince. Incontestible facts now prove
that this event occurred in the little town of Siegen in Westphalia. The ancestors
of ...
But neither Cologne nor her rival, Antwerp, can support their claim to the honour
of having given birth to the Flemish artist-prince. Incontestible facts now prove
that this event occurred in the little town of Siegen in Westphalia. The ancestors
of ...
Page 6
The words though of her Grace" (probably the mother of the Orange princes) "
which I have conveyed to you in another letter, still give me hope. ... I cannot
believe that we shall be so completely and so miserably separated. . . . O God!
may that ...
The words though of her Grace" (probably the mother of the Orange princes) "
which I have conveyed to you in another letter, still give me hope. ... I cannot
believe that we shall be so completely and so miserably separated. . . . O God!
may that ...
Page 9
Johann Rubens therefore thought the time propitious to attain a free pardon from
the Prince of Orange , who moreover was happily married once more. He
supported in 1578 this petition by renouncing a part of the sum which, as we
have seen ...
Johann Rubens therefore thought the time propitious to attain a free pardon from
the Prince of Orange , who moreover was happily married once more. He
supported in 1578 this petition by renouncing a part of the sum which, as we
have seen ...
Page 11
At Antwerp the Art of painting was flourishing in spite of the fact that this town had
become poor and desolate owing to its siege by the Prince of Parma. Indeed it
seemed as if that unhappy city had sought solace for the loss of her liberty in the
...
At Antwerp the Art of painting was flourishing in spite of the fact that this town had
become poor and desolate owing to its siege by the Prince of Parma. Indeed it
seemed as if that unhappy city had sought solace for the loss of her liberty in the
...
Page 12
A perfect courtier, he was much esteemed by the Prince of Parma, whose court-
painter he became. He produced some rather clever works in imitation of the then
prevalent manneristic style of Italian art at that time. In 1598 Peter Paul Rubens ...
A perfect courtier, he was much esteemed by the Prince of Parma, whose court-
painter he became. He produced some rather clever works in imitation of the then
prevalent manneristic style of Italian art at that time. In 1598 Peter Paul Rubens ...
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Contents
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Other editions - View all
Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels antique marbles Antwerp Antwerp Museum Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration designed Dornach drawings Dresden Gallery Duke of Mantua England engraving executed expression figures Flemish florins France Franz Hanfstangl Gallery at Cassel Gerbier goddess hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Johann Knackfuss landscape letter life-size Louis XIII Louvre magnificent Maria de Medici Mary Magdalene master Medici Gallery monks mother Munich Pinakothek Museum at Antwerp Museum at Vienna Netherlands nymph original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Vienna Fig Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |