RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 29
The Archbishop is represented here on his knees before a throne , which occupies the centre of the picture , and from which Mary , with an expression of extreme remuneration . He gave to it the shape of an Ancona : the centre - panel of ...
The Archbishop is represented here on his knees before a throne , which occupies the centre of the picture , and from which Mary , with an expression of extreme remuneration . He gave to it the shape of an Ancona : the centre - panel of ...
Page 37
Great attention is bestowed upon the figure of St. Mary Magdalen , for whom the artist having a predilection , created a special type . This attractive figure , - a maiden with a fine complexion and very fair.
Great attention is bestowed upon the figure of St. Mary Magdalen , for whom the artist having a predilection , created a special type . This attractive figure , - a maiden with a fine complexion and very fair.
Page 38
a maiden with a fine complexion and very fair hair which we encounter for the first time in the Descent from the Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that ...
a maiden with a fine complexion and very fair hair which we encounter for the first time in the Descent from the Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that ...
Page 42
They are probably sketches for the charming picture painted at this period : Mary with the Infant Christ surrounded by playful Cherubs ( Fig . 25 ) ; ori- ginally no doubt an altar - piece , but now in the Gallery of ...
They are probably sketches for the charming picture painted at this period : Mary with the Infant Christ surrounded by playful Cherubs ( Fig . 25 ) ; ori- ginally no doubt an altar - piece , but now in the Gallery of ...
Page 45
His right arm is supported by Mary Magdalen , -the favourite female Saint of the painter , -whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna ...
His right arm is supported by Mary Magdalen , -the favourite female Saint of the painter , -whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna ...
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according adorned Albertina at Vienna altar-piece Ambassador Antwerp appears arms artist beautiful Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstängl Gallery Gerbier give hand head Imperial Infant intended Isabella Italy King known LADY landscape later learned letter light live Louvre Madrid Maria Mary master Medici Museum nature object once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen reason received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wish wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |