RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 2
7 PREFACE . The fact is unquestionable , that this volume. PORTRAIT OF RUBENS BY HIMSELF . In the Imperial Gallery at Vienna . After a photograph from the original by J. Löwy , Vienna . ALLEGED PORTRAIT OF THE ARTIST'S MOTHER .
7 PREFACE . The fact is unquestionable , that this volume. PORTRAIT OF RUBENS BY HIMSELF . In the Imperial Gallery at Vienna . After a photograph from the original by J. Löwy , Vienna . ALLEGED PORTRAIT OF THE ARTIST'S MOTHER .
Page 6
My soul is so much in sympathy with yours and in union with you , that > Fig . 2. THE APOSTLES PETER AND Paul . Drawing. ALLEGED PORTRAIT OF THE ARTIST'S MOTHER . Fig . 15. THE ILDEFONSO ALTAR . In the Imperial. 6 Tiberius and Agrippina ...
My soul is so much in sympathy with yours and in union with you , that > Fig . 2. THE APOSTLES PETER AND Paul . Drawing. ALLEGED PORTRAIT OF THE ARTIST'S MOTHER . Fig . 15. THE ILDEFONSO ALTAR . In the Imperial. 6 Tiberius and Agrippina ...
Page 21
In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man In the Gallery at Cassel Perseus and Andromeda In the Hermitage at St Petersburg.
In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man In the Gallery at Cassel Perseus and Andromeda In the Hermitage at St Petersburg.
Page 28
To show his gratitude for so much honour , he painted this altar - piece without demanding any > remuneration . He gave to it the shape of an. 28 The Lamentation for Christ In the Imperial Museum at Vienna.
To show his gratitude for so much honour , he painted this altar - piece without demanding any > remuneration . He gave to it the shape of an. 28 The Lamentation for Christ In the Imperial Museum at Vienna.
Page 36
In the Imperial Museum at Vienna . their outer side St. Christopher . This latter subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea of Christ being thus carried is the binding link in all four ...
In the Imperial Museum at Vienna . their outer side St. Christopher . This latter subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea of Christ being thus carried is the binding link in all four ...
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