Music in the World of Islam: A Socio-cultural Study

Front Cover
Wayne State University Press, 1995 - 243 pages

Provides basic musicological information about a vast variety of Middle Eastern musical genres within an ethnomusical context.

The story of music told in this book begins in pre-Islamic times with musical forms that bear strong imprints of the Bedouin's tribal way of life. Pre-Islamic music can be viewed as the forerunner of the art music that acquired a foothold after the advent of Islam. The history of Arab music then became inextricably entwined with the musical traditions of the conquered lands. The merging of diverse forms into a unique common style marked the advent of the Great Musical Tradition that gained favor throughout an extensive geographical area. By the end of Islam's third century, distinct autonomous styles began to appear involving Persians and Turks in particular.

 

Contents

3
18
4
31
5
44
General background
45
The speculative approach
53
Concepts and general characteristics
59
Musical apparatuses and automatons
65
7
88
9
110
Improvised and Compound Compositions
127
Dance
137
Folk Musical Traditions
154
Thematic bibliography
164
22
165
Addendum to thematic bibliography
189
List of sources
196

The Iranian state
94
Central Asia
100

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About the author (1995)

Amnon Shiloah is professor of musicology at The Hebrew University of Jerusalem. He is the author of several books, including The Performance of Jewish and Arab Music in Israel Today, Vols. 1 and 2 (Gordon and Breach Publishing Group, 1997), The Dimension of Music in Islamic and Jewish Culture (Ashgate Publishing Company, 1993), and Jewish Musical Traditions (Wayne State University Press, 1992).

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