The Films of the Eighties: A Social HistoryIn this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
From inside the book
Contents Illustrations viii Preface ix 1 The Holograph of History 1 2 The Vietnam War as Film Text 16 3 The " Coming Home " Films 61 4 The Terrorism Film Texts 114 5 The Nuclear War Film Texts 179 6 From the " Evil Empire " to Glasnost ...
Or whereas a prominent chapter in its predecessor defined the major villain of seventies film as a corporate entity , in this eighties film history the ubiquitous villain is the political terrorist . One of the central polemic concerns ...
Terrorism - from the Iran Hostage Crisis at the beginning of the eighties to Israel's invasion of Lebanon in 1982 to the truck bombings in Beirut in 1983 to the kidnappings , plane hijackings , and the Achille Lauro in the Middle East ...
... proposed scenarios for America - Russia detente , laid bare the human realities of the American farm crisis , explored the fanaticism of the terrorist mind , and chronicled the yuppie phenomenon in American life .
The new form of war , terrorism , the new racism , the new feminism , all form a constantly shifting social layer of the holograph . As a by - product of Reagan - era political conservatism , a growing cyni- cism toward America's moral ...
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Contents
16 | |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
The Nuclear War Film Texts | 179 |
From the Evil Empire to Glasnost | 206 |
The Feminist Farm Crisis and Other Neoconservative | 246 |
The Yuppie Texts | 280 |
Film in the Holograph of New History | 308 |
Index | 325 |