The Films of the Eighties: A Social HistorySIU Press, 1995 - 335 pages In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
From inside the book
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... images and references to advance his historical goals . In his farewell speech to the Republican National Convention in 1988 , for example , the president reprised his most famous film role as he exhorted his successor , Vice ...
... images verify and reveal history , and eighties society was acutely aware of that eye - mind relationship . " Film , " Graeme Turner writes , " is a social practice for its makers and its audience ; in its narratives and meanings we can ...
... light - sensitive , multidimensional image of its subject . As White notes , historicism ought to amend its goal of trying to organize the events of modern life into a single coherent narrative pursuant 2 The Films of the Eighties.
... image does . The texts of history must be read both horizon- tally and vertically . Not only do they serve as the sources for linear narratives , but they also offer depths of potential interpretation and contextual connection . Social ...
... images or themes of individual films but in the emplotted metaphors and motifs shared by groups of films that together portray , approach , and often even comment upon a specific historical event or sociohistorical trend . In the ...
Contents
| 16 | |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
The Nuclear War Film Texts | 179 |
From the Evil Empire to Glasnost | 206 |
The Feminist Farm Crisis and Other Neoconservative | 246 |
The Yuppie Texts | 280 |
Film in the Holograph of New History | 308 |
Index | 325 |
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| Title | The Films of the Eighties: A Social History |
| Author | William J. Palmer |
| Edition | illustrated |
| Publisher | SIU Press, 1995 |
| ISBN | 0809320290, 9780809320295 |
| Length | 335 pages |
| Export Citation | BiBTeX EndNote RefMan |