The Films of the Eighties: A Social HistoryIn this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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One of the central polemic concerns of The Films of the Seventies : A Social History was that despite the long - standing and consistent charges of the film industry's traditional exploitation of historical fact and realism , Hollywood ...
History has provided situations , themes , characters , and interpretive possibilities that Hollywood has been more than eager to exploit . Conversely Hollywood has courted social credibility and even political power by supporting ...
Film director and cinematographer Haskell Wexler senses how the mechanisms of diffusion not only exploit history but enlarge the historical textuality : In past times , the monks had the pens and the paper and were literate and ...
Vietnam became a warning , a symbol of defeat and loss , but most of all , it became a text.2 It became an extremely complex text that was constantly being interpreted , reinterpreted , and exploited all through the eighties .
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Contents
| 16 | |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
The Nuclear War Film Texts | 179 |
From the Evil Empire to Glasnost | 206 |
The Feminist Farm Crisis and Other Neoconservative | 246 |
The Yuppie Texts | 280 |
Film in the Holograph of New History | 308 |
Index | 325 |
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Bibliographic information
| Title | The Films of the Eighties: A Social History |
| Author | William J. Palmer |
| Edition | illustrated, reprint |
| Publisher | SIU Press, 1995 |
| ISBN | 0809320290, 9780809320295 |
| Length | 335 pages |
| Export Citation | BiBTeX EndNote RefMan |