Fine Print, Volumes 10-11S. Kirshenbaum, 1984 |
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Page 150
... typographic style . Rogers , on the contrary , drew upon a variety of typographic forms as dictated by the different texts to be worked on . Although he knew all the periods of printing history well , fifteenth - century Venice and ...
... typographic style . Rogers , on the contrary , drew upon a variety of typographic forms as dictated by the different texts to be worked on . Although he knew all the periods of printing history well , fifteenth - century Venice and ...
Page 164
... typography and fine printing will also know the magnificent Manuale Typographicum I ( 1954 ) and II ( 1958 ) , each with 100 typographical arrangements by Zapf , and Typographic Variations ( 1963 ) , which displays 78 text and title ...
... typography and fine printing will also know the magnificent Manuale Typographicum I ( 1954 ) and II ( 1958 ) , each with 100 typographical arrangements by Zapf , and Typographic Variations ( 1963 ) , which displays 78 text and title ...
Page 126
... typographic cohesiveness , without sacrificing the communication of the text to the reader . " Höfflichkeit " he called this - typographic etiquette . And when he once flipped through the endless pages of an Amer- ican typesetter's ...
... typographic cohesiveness , without sacrificing the communication of the text to the reader . " Höfflichkeit " he called this - typographic etiquette . And when he once flipped through the endless pages of an Amer- ican typesetter's ...
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American artists Avenue Barry Moser Berkeley bibliography binders binding boards Bodoni book arts book design bookbinding bookmaking broadsides California calligraphy catalogue Center century cloth collection collectors College Colophon color contemporary copies cover craft decorative display drawings Editor England English Eric Gill etchings exhibition facsimile foundry French Giovanni Mardersteig graphic arts hand handmade paper handpress Hermann Zapf illustrations information write issue italic Janson John leather letterforms letterpress printing letters Library limited edition London manuscripts marbling Mardersteig matrices Mills College modern Monotype Museum October original P.O. Box paper marbling papermaking photographs plates poems poetry press books printers printmaking private press production publication published Rare Book reader Robert Bringhurst San Francisco sheet specimen spine Street style Tallone techniques tion traditional translation type design typeface typographic University volume William wood engravings woodcuts Workshop York Zapf's