Fine Print, Volumes 10-11S. Kirshenbaum, 1984 |
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Page 70
... Sheets Pulled from the Wood Type in Drawer Six . From the Cabinet at Green Gables and a Sheet or Two of Type from Friends . Edited by Gene Holtan . 1983. Introduction by George Robert Kane . 5 woodcuts by Gene Holtan on half - sheets of ...
... Sheets Pulled from the Wood Type in Drawer Six . From the Cabinet at Green Gables and a Sheet or Two of Type from Friends . Edited by Gene Holtan . 1983. Introduction by George Robert Kane . 5 woodcuts by Gene Holtan on half - sheets of ...
Page 100
... sheets primarily manufactured for offset lithography . The sheet was to be open , soft , mellow , and printable ; it ... sheets . But suppose we return to the " Doctrine of Compromise " as it applies to paper- making . In deference to ...
... sheets primarily manufactured for offset lithography . The sheet was to be open , soft , mellow , and printable ; it ... sheets . But suppose we return to the " Doctrine of Compromise " as it applies to paper- making . In deference to ...
Page 105
... sheet that the shadowy show - throughs from underlying sheets consistently reflect a harmonious graphic spirit . The shiny random texture of the Tatsuta wrapper paper and the evenness of the light gray die - cut Rives port- folio are ...
... sheet that the shadowy show - throughs from underlying sheets consistently reflect a harmonious graphic spirit . The shiny random texture of the Tatsuta wrapper paper and the evenness of the light gray die - cut Rives port- folio are ...
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