Fine Print, Volumes 10-11S. Kirshenbaum, 1984 |
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Page 130
... MONOTYPE COMPOSITION IN 8 , 10 , 12 POINT Sans Serif Light and Bold ( Rudolf Koch's Kabel ) MONOTYPE COMPOSITION IN 6 , 8,10,12 POINT William Martin's transitional face ... Bulmer MONOTYPE COMPOSITION IN 6 , 7 , 8 , 9 , 10 , 11 , 12 ...
... MONOTYPE COMPOSITION IN 8 , 10 , 12 POINT Sans Serif Light and Bold ( Rudolf Koch's Kabel ) MONOTYPE COMPOSITION IN 6 , 8,10,12 POINT William Martin's transitional face ... Bulmer MONOTYPE COMPOSITION IN 6 , 7 , 8 , 9 , 10 , 11 , 12 ...
Page 218
... MONOTYPE ' F 25-6-63 Order No. E596 Series No. 592-60 Didot cast on 72 point Line 6220 ↓ like this too light ! 7 an aegean afghan in ľ cer the a a again agfa apian First trial proof produced by the Monotype Corporation on June 25 ...
... MONOTYPE ' F 25-6-63 Order No. E596 Series No. 592-60 Didot cast on 72 point Line 6220 ↓ like this too light ! 7 an aegean afghan in ľ cer the a a again agfa apian First trial proof produced by the Monotype Corporation on June 25 ...
Page 219
... Monotype Bembo or Monotype Centaur , to cite only two of the many types he had previously used . Dante italic owed a great deal to his fascination with the earliest fonts of italic cut between 1499 and 1516 by Francesco Griffo , a ...
... Monotype Bembo or Monotype Centaur , to cite only two of the many types he had previously used . Dante italic owed a great deal to his fascination with the earliest fonts of italic cut between 1499 and 1516 by Francesco Griffo , a ...
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