Sketches of Great PaintersStewart and Kidd Company, 1915 - 263 pages |
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Page 135
... Antwerp on his trip to beautiful Italy , that Mecca of youthful artists . He was twenty - three years old and had studied art under local masters , but what he had already gained in technique served but as an in- centive to gain more ...
... Antwerp on his trip to beautiful Italy , that Mecca of youthful artists . He was twenty - three years old and had studied art under local masters , but what he had already gained in technique served but as an in- centive to gain more ...
Page 136
... Antwerp and Cologne have claimed the honor of being the birthplace of Rubens , Cologne even having a fine old mansion with a marble tablet containing an inscription informing the world that here was born the great painter , but the man ...
... Antwerp and Cologne have claimed the honor of being the birthplace of Rubens , Cologne even having a fine old mansion with a marble tablet containing an inscription informing the world that here was born the great painter , but the man ...
Page 140
... Antwerp he learned Flemish and Dutch and French . In Spain he learned Spanish , and during these eight years in Italy he became so proficient in Italian that he could use it as his mother tongue . In his schooldays he had learned Latin ...
... Antwerp he learned Flemish and Dutch and French . In Spain he learned Spanish , and during these eight years in Italy he became so proficient in Italian that he could use it as his mother tongue . In his schooldays he had learned Latin ...
Page 145
... Antwerp Museum . There are many connois- seurs who deny that it is preeminently the master- piece of his art , but few would deny that it is the most famous of his productions . One critic has en- thusiastically declared that it is the ...
... Antwerp Museum . There are many connois- seurs who deny that it is preeminently the master- piece of his art , but few would deny that it is the most famous of his productions . One critic has en- thusiastically declared that it is the ...
Page 250
... Antwerp , 1599. He is a Flemish painter , though , because of his long resi- dence and important work in England , he is some- times included among English painters and is called the founder of the English school of portrait- painting ...
... Antwerp , 1599. He is a Flemish painter , though , because of his long resi- dence and important work in England , he is some- times included among English painters and is called the founder of the English school of portrait- painting ...
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Common terms and phrases
admired Antwerp artist AUGUST STRINDBERG Barbizon beauty born called canvas centuries charm child color Corot critics death decoration Duke Dyck exhibited exquisite face fame famous father feel figure Florence florins francs friends Gallery genius Giorgione girl give grace greatest painter Hamlet hand heart honor Horse Fair imagination impression Isabella Brant Italy king landscape Last Judgment later Leonardo light lived looked Louvre Madrid master masterpiece Michelangelo Millet Mona Lisa mother Murillo nature never Night Watch painted painter Paris patron peasant perhaps Philip picture play poet Pope portrait praise prince prosperity pupil Raphael Rembrandt Reynolds Rome Rosa Bonheur Rubens sculptor Seville Shakspere Sistine Chapel Sistine Madonna sketch soul story sweet tender things tion Titian Turner Van Dyck Vasari Velasquez Venice Virgin Whistler wife woman writes young youth
Popular passages
Page 190 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart : To coxcombs averse, yet most civilly steering, When they judged without skill he was still hard of hearing.
Page 147 - And only the Master shall praise us. and only the Master shall blame: And no one shall work for money. and no one shall work for fame. But each for the joy of the working. and each. in his separate star. Shall draw the Thing as he sees It for the God of Things as They Are!
Page 185 - And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Page 94 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Page 52 - Hers is the head upon which all the ends of the world are come, and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions.
Page 29 - Bowed by the weight of centuries he leans Upon his hoe and gazes on the ground, The emptiness of ages in his face, And on his back the burden of the world.
Page 92 - Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence before now ; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
Page 174 - Which made my soul the worshipper and thrall Of earthly art is vain ; how criminal Is that which all men seek unwillingly. Those amorous thoughts which were so lightly dressed, What are they when the double death is nigh ? The one I know for sure, the other dread. Painting nor sculpture now can lull to rest My soul, that turns to His great love on high, Whose arms to clasp us on the cross were spread.
Page 53 - All the thoughts and experience of the world have etched and moulded there in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias.