Film Genre ReaderBarry Keith Grant University of Texas Press, 1986 - 425 pages Chiefly reprints of articles originally published 1970-1984. |
Contents
Genre ANDREW TUDOR | 3 |
Social Implications in the Hollywood Genres | 50 |
The Progressive | 74 |
Copyright | |
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action actor aesthetic American cinema American film audience auteur Band Wagon basic become Canadian Cawelti characters Chinatown classical Claude Lévi-Strauss Clementine conflict context conventions crime film cultural dance Darling Clementine defined directors disaster film docudrama drama elements evil example experience film genre film noir film's filmmakers Ford Ford's Fritz Lang function gangster film genre criticism genre film genre studies hard-boiled detective hero historical Hitchcock Hollywood Hollywood Genres horror film Howard Hawks human ideology individual John kind Lévi-Strauss Maltese Falcon meaning melodrama mode monster moral musical myth mythic narrative nature novel parody performance play plot popular Press production Raoul Walsh realistic relation ritual Robert romantic comedy scene Schatz science fiction films seems semantic sense sexual Sirk social society specific spectator story structure style television tension textual thematic theme theory tion tional traditional Warshow West western York