Show Music, Volumes 16-17Max O. Preeo, 2000 |
From inside the book
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Page 46
... stage with the performers . Monteverdi's L'Orfeo , which may actually be the first opera , probably had 40 or so musicians sitting on the stage in a hall that had an audience of about 200 when it first premiered in Mantua in 1607 . As ...
... stage with the performers . Monteverdi's L'Orfeo , which may actually be the first opera , probably had 40 or so musicians sitting on the stage in a hall that had an audience of about 200 when it first premiered in Mantua in 1607 . As ...
Page 47
... stage , and everyone on it could see him . The curving hood also directed the sound of the orchestra toward the stage so performers could hear , while the amount of orchestra volume to the audience was reduced . This helped maintain the ...
... stage , and everyone on it could see him . The curving hood also directed the sound of the orchestra toward the stage so performers could hear , while the amount of orchestra volume to the audience was reduced . This helped maintain the ...
Page 15
... stage version make his Broadway debut as composer / lyricist of a full score added to the questionable nature of the show . But from the moment The Producers hit the stage last February in Chicago , it was an instant phenomenon , a show ...
... stage version make his Broadway debut as composer / lyricist of a full score added to the questionable nature of the show . But from the moment The Producers hit the stage last February in Chicago , it was an instant phenomenon , a show ...
Contents
Rosenfield has titled his followup to | 77 |
Like the previous volume it draws from | 35 |
ColumbiaSony ClassicalLegacy 65810 | 74 |
Copyright | |
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