RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 11
Peter Paul Rubens ' first master was the landscape - painter Tobias Ver- haeght , under whom however he studied but a short time . Then for four years he worked in the atelier of Adam van Noort , an artist much praised by his ...
Peter Paul Rubens ' first master was the landscape - painter Tobias Ver- haeght , under whom however he studied but a short time . Then for four years he worked in the atelier of Adam van Noort , an artist much praised by his ...
Page 12
A perfect courtier , he was much esteemed by the Prince of Parma , whose court - painter he became . He produced some rather clever works in imi- tation of the then prevalent manneristic style of Italian art at that time .
A perfect courtier , he was much esteemed by the Prince of Parma , whose court - painter he became . He produced some rather clever works in imi- tation of the then prevalent manneristic style of Italian art at that time .
Page 13
A lengthy stay in Italy was regarded at that time as an indispensable factor in the education of a painter . Rubens started on the 9th of May 1600 on his Italian travels . He first went to Venice where the works of the masters of ...
A lengthy stay in Italy was regarded at that time as an indispensable factor in the education of a painter . Rubens started on the 9th of May 1600 on his Italian travels . He first went to Venice where the works of the masters of ...
Page 18
The proposal of the Mantuan Ambassador that the pictures should be restored with the assistance of some Spanish painter , was firmly rejected by Rubens who declared , " that he did not choose to be associated with any one else " .
The proposal of the Mantuan Ambassador that the pictures should be restored with the assistance of some Spanish painter , was firmly rejected by Rubens who declared , " that he did not choose to be associated with any one else " .
Page 22
He was no doubt right in adding that it was the painter's wish also to stay on in Italy . Numbers of his paintings prove how deeply he was impressed by the great Italian master - pieces and how much enjoyment he derived from them .
He was no doubt right in adding that it was the painter's wish also to stay on in Italy . Numbers of his paintings prove how deeply he was impressed by the great Italian master - pieces and how much enjoyment he derived from them .
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