RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
From inside the book
Page 10
He never left Cologne again , but died on the ist of March 1587 , and was buried
there in the church of St . Peter . When we think of these sad family - events we
cannot read without emotion the eulogistic epitaph which his disconsolate widow
...
He never left Cologne again , but died on the ist of March 1587 , and was buried
there in the church of St . Peter . When we think of these sad family - events we
cannot read without emotion the eulogistic epitaph which his disconsolate widow
...
Page 14
The title of Cardinal of the church of Sta . Croce in Gerusalemme in Rome had
also been conferred upon him . He availed himself therefore of the opportunity
afforded him by the presence in the Eternal City of so artistically gifted a subject ,
with ...
The title of Cardinal of the church of Sta . Croce in Gerusalemme in Rome had
also been conferred upon him . He availed himself therefore of the opportunity
afforded him by the presence in the Eternal City of so artistically gifted a subject ,
with ...
Page 18
At the beginning of 1604 Rubens returned to Mantua , where his chief work
during that and the following year as the completion of a triptych for the Jesuit -
Church . The centre - piece represented the Trinity , the two wings the Baptism
and ...
At the beginning of 1604 Rubens returned to Mantua , where his chief work
during that and the following year as the completion of a triptych for the Jesuit -
Church . The centre - piece represented the Trinity , the two wings the Baptism
and ...
Page 19
parts in the years 1613 and 1622 respectively . For the Jesuit - church ( St .
Ambrogio ) at Genoa he painted – it is uncertain when — two altarpieces : the
Circumcision and St . Ignatius healing a Demoniac and restoring to life Dead
Children .
parts in the years 1613 and 1622 respectively . For the Jesuit - church ( St .
Ambrogio ) at Genoa he painted – it is uncertain when — two altarpieces : the
Circumcision and St . Ignatius healing a Demoniac and restoring to life Dead
Children .
Page 23
He reserved for himself however the picture that he had first painted , in which ,
besides the two Patrons of the church , he had represented the Virgin with other
Saints and Pope Gregory . This painting he subsequently brought back to his
own ...
He reserved for himself however the picture that he had first painted , in which ,
besides the two Patrons of the church , he had represented the Virgin with other
Saints and Pope Gregory . This painting he subsequently brought back to his
own ...
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Contents
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Common terms and phrases
according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanfstäng Gallery Gerbier give hand head Helena Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |