RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 23
which are still to be seen over the high - altar , representing the Queen of Heaven
with three Saints on either hand . He reserved for himself however the picture that
he had first painted , in which , besides the two Patrons of the church , he had ...
which are still to be seen over the high - altar , representing the Queen of Heaven
with three Saints on either hand . He reserved for himself however the picture that
he had first painted , in which , besides the two Patrons of the church , he had ...
Page 29
For this act the Queen of Heaven herself descended into his cathedral in visible
shape and presented him with a mantle of celestial texture . The Archbishop is
represented here on his knees before a throne , which occupies the centre of the
...
For this act the Queen of Heaven herself descended into his cathedral in visible
shape and presented him with a mantle of celestial texture . The Archbishop is
represented here on his knees before a throne , which occupies the centre of the
...
Page 86
In the beginning of 1622 he came to Paris to make arrangements with the Queen
herself : and it was on this occasion that he most probably painted the fine portrait
of her now in the Museum at Madrid ( Fig . 68 ) . Three years later the paintings ...
In the beginning of 1622 he came to Paris to make arrangements with the Queen
herself : and it was on this occasion that he most probably painted the fine portrait
of her now in the Museum at Madrid ( Fig . 68 ) . Three years later the paintings ...
Page 89
... journeying to Pont de Cé , is represented as Minerva on horseback ( Fig . 70 ) .
The face is here idealized to harmonize with the helmet of the goddess : -
although otherwise the Queen always appears in her own likeness ; — full of
youthful ...
... journeying to Pont de Cé , is represented as Minerva on horseback ( Fig . 70 ) .
The face is here idealized to harmonize with the helmet of the goddess : -
although otherwise the Queen always appears in her own likeness ; — full of
youthful ...
Page 90
Queen is overcome by the sight of her firstborn , and where at the Reconciliation
she smiles at him through her tears . The whole work is one great thought ,
executed according to the spirit of the period , and is a creation which fully
illustrates ...
Queen is overcome by the sight of her firstborn , and where at the Reconciliation
she smiles at him through her tears . The whole work is one great thought ,
executed according to the spirit of the period , and is a creation which fully
illustrates ...
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Contents
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Common terms and phrases
according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanfstäng Gallery Gerbier give hand head Helena Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |