RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
From inside the book
Page 2
Hermann Knackfuss. Portrait of RuBENS BY HIMSELF . In the Imperial Gallery at
Vienna . After a photograph from the original by J . Löwy , Vienna . Fig . 15 . THE
ILDEFONSO Altar . In the.
Hermann Knackfuss. Portrait of RuBENS BY HIMSELF . In the Imperial Gallery at
Vienna . After a photograph from the original by J . Löwy , Vienna . Fig . 15 . THE
ILDEFONSO Altar . In the.
Page 21
EESTE The fact that in 1607 the Archduke Albrecht requested the. Fig . 15 . THE
ILDEFONSO Altar . In the Imperial Gallery at Vienna . ( To page 30 . ) THE
ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man
In the ...
EESTE The fact that in 1607 the Archduke Albrecht requested the. Fig . 15 . THE
ILDEFONSO Altar . In the Imperial Gallery at Vienna . ( To page 30 . ) THE
ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man
In the ...
Page 36
In the Imperial Museum at Vienna . their outer side St . Christopher . This latter
subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea
of Christ being thus carried is the binding link in all four representations : and the
...
In the Imperial Museum at Vienna . their outer side St . Christopher . This latter
subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea
of Christ being thus carried is the binding link in all four representations : and the
...
Page 57
... and another copy , — treated in the same way — of the Christ and His Apostles
, owned by the Duke of Lerma ; an Achilles disguised as a Woman , an
impressive picture with. 57 The Four Continents In the Imperial Gallery at Vienna.
... and another copy , — treated in the same way — of the Christ and His Apostles
, owned by the Duke of Lerma ; an Achilles disguised as a Woman , an
impressive picture with. 57 The Four Continents In the Imperial Gallery at Vienna.
Page 62
... towards the end of 1616 to paint an Altar - piece representing the Adoration of
the Magi . It was a composition which he had treated once before with great
success ,. St Ignatius Loyola healing the Possessed In the Imperial Gallery at
Vienna.
... towards the end of 1616 to paint an Altar - piece representing the Adoration of
the Magi . It was a composition which he had treated once before with great
success ,. St Ignatius Loyola healing the Possessed In the Imperial Gallery at
Vienna.
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Common terms and phrases
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