RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 56
This we learn from Rubens himself in his interesting correspondence with Sir
Dudley Carleton , British Ambassador at the Hague . These letters dating from the
year 1618 , a great number of which have been published , are invaluable for the
...
This we learn from Rubens himself in his interesting correspondence with Sir
Dudley Carleton , British Ambassador at the Hague . These letters dating from the
year 1618 , a great number of which have been published , are invaluable for the
...
Page 58
Carleton then wrote to Rubens that he had selected six pictures . And further
invited the painter to visit him at the Hague , to inspect his antique marbles ,
which formed a collection such as no prince nor private individual possessed on
this side ...
Carleton then wrote to Rubens that he had selected six pictures . And further
invited the painter to visit him at the Hague , to inspect his antique marbles ,
which formed a collection such as no prince nor private individual possessed on
this side ...
Page 59
Another circumstance worth mentioning , since it is so characteristic of the artist ,
we also learn from this correspondence with Sir Dudley Carleton ; namely that
Rubens was most anxious to satisfy the buyer by giving him the choice of a great
...
Another circumstance worth mentioning , since it is so characteristic of the artist ,
we also learn from this correspondence with Sir Dudley Carleton ; namely that
Rubens was most anxious to satisfy the buyer by giving him the choice of a great
...
Page 60
seem to have been exceedingly pleased with the transaction . Carleton was
delighted with the pictures he acquired and Rubens was more than happy with
the antique marbles he received in exchange . After a photograph from the
original by ...
seem to have been exceedingly pleased with the transaction . Carleton was
delighted with the pictures he acquired and Rubens was more than happy with
the antique marbles he received in exchange . After a photograph from the
original by ...
Page 64
This is a most impressively realistic piece of work , and we can quite understand
why Rubens , in the list made for Sir Dudley Carleton , stated of a similar picture
of fisherinen , that it was " painted from life " . The subject of this latter painting ...
This is a most impressively realistic piece of work , and we can quite understand
why Rubens , in the list made for Sir Dudley Carleton , stated of a similar picture
of fisherinen , that it was " painted from life " . The subject of this latter painting ...
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Contents
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Common terms and phrases
according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanfstäng Gallery Gerbier give hand head Helena Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |