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Page 13
1) and we may therefore conclude that it was painted before he went to Italy. A
lengthy stay in Italy was regarded at that time as an indispensable factor in the
education of a painter. Rubens started on the of May 1600 on his Italian travels.
1) and we may therefore conclude that it was painted before he went to Italy. A
lengthy stay in Italy was regarded at that time as an indispensable factor in the
education of a painter. Rubens started on the of May 1600 on his Italian travels.
Page 14
with a salary of 400 ducats per annum: and we know that Rubens painted for him
a number of fine portraits, besides various other pictures. In the year 1601 he was
sent to Rome to copy some of the celebrated old masters. Whilst there he also ...
with a salary of 400 ducats per annum: and we know that Rubens painted for him
a number of fine portraits, besides various other pictures. In the year 1601 he was
sent to Rome to copy some of the celebrated old masters. Whilst there he also ...
Page 18
Only a portion ot the gifts, which included a carriage with seven Neapolitan
horses, could be delivered uninjured ; whilst the other part with the pictures
painted by Rubens for the Spanish court were entirely ruined through the rain.
Only a portion ot the gifts, which included a carriage with seven Neapolitan
horses, could be delivered uninjured ; whilst the other part with the pictures
painted by Rubens for the Spanish court were entirely ruined through the rain.
Page 19
For the Jesuit-church (St. Ambrogio) at Genoa he painted — it is uncertain when
— two altar- pieces : the Circumcision and St. Ignatius healing a Demoniac and
restoring to life Dead Children. This latter, which is very large, is a splendid work.
For the Jesuit-church (St. Ambrogio) at Genoa he painted — it is uncertain when
— two altar- pieces : the Circumcision and St. Ignatius healing a Demoniac and
restoring to life Dead Children. This latter, which is very large, is a splendid work.
Page 20
It is also probable that he painted in the same city, in order to rival Leonardo, the
Lord's Supper which is now in the Brera Collection. The fact that in 1607 tne
Archduke Albrecht requested the. Fig. 14. Rubens and his wife Isabella Beant.
It is also probable that he painted in the same city, in order to rival Leonardo, the
Lord's Supper which is now in the Brera Collection. The fact that in 1607 tne
Archduke Albrecht requested the. Fig. 14. Rubens and his wife Isabella Beant.
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Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels Antwerp Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Berlin Museum Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration depicted designed display Dornach drawings Dresden Gallery Duke Duke of Mantua England engraving entirely executed expression figures Flemish florins Francis Franz Hanfstangl Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Knackfuss landscape letter Liechtenstein life-size Louvre magnificent Mantua Maria de Medici Mary Magdalene master Medici Gallery monks Munich Pinakothek Museum at Antwerp Museum at Madrid Museum at Vienna mythological nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish splendour Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |