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Page 7
After a photograph from the original by Braun, Clement & Co., Dornach, Paris and
New-York. (To page 15.) I suffer with the same pain that you are suffering. I
believe that if these noble gentlemen could only see my tears they would have
pity ...
After a photograph from the original by Braun, Clement & Co., Dornach, Paris and
New-York. (To page 15.) I suffer with the same pain that you are suffering. I
believe that if these noble gentlemen could only see my tears they would have
pity ...
Page 11
Tibeeius and Ackiffina. In the Liechtenstein Gallery at Vienna. After a photograph
from the original by Braun, Clement & Co., Dornach, Paris and New -York. (To
page 16.) soon showed themselves. At Antwerp the Art of painting was
flourishing ...
Tibeeius and Ackiffina. In the Liechtenstein Gallery at Vienna. After a photograph
from the original by Braun, Clement & Co., Dornach, Paris and New -York. (To
page 16.) soon showed themselves. At Antwerp the Art of painting was
flourishing ...
Page 12
After a photograph from the original by Braun, Clement & Co., Dornach, Paris and
New-York. (To page 18.) A perfect courtier, he was much esteemed by the Prince
of Parma, whose court-painter he became. He produced some rather clever ...
After a photograph from the original by Braun, Clement & Co., Dornach, Paris and
New-York. (To page 18.) A perfect courtier, he was much esteemed by the Prince
of Parma, whose court-painter he became. He produced some rather clever ...
Page 13
He appointed the young Fleming his court-painter with a salary of 400 ducats per
annum: and we. Fig. 8. Head of a Bishof. In the Dresden Gallery. After a
photograph from the original by Braun, Clement & Co., Dornach, Paris and New-
York.
He appointed the young Fleming his court-painter with a salary of 400 ducats per
annum: and we. Fig. 8. Head of a Bishof. In the Dresden Gallery. After a
photograph from the original by Braun, Clement & Co., Dornach, Paris and New-
York.
Page 14
... painted by Rubens on this occasion for this purpose. They remained in situ
until 181 1, when Fig. 9. Cheist, from a series of drawings: Christ and the twelve
Apostles. In the Albertina at Vienna. After a photograph from the original by Braun
, ...
... painted by Rubens on this occasion for this purpose. They remained in situ
until 181 1, when Fig. 9. Cheist, from a series of drawings: Christ and the twelve
Apostles. In the Albertina at Vienna. After a photograph from the original by Braun
, ...
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Contents
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Other editions - View all
Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels Antwerp Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Berlin Museum Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration depicted designed display Dornach drawings Dresden Gallery Duke Duke of Mantua England engraving entirely executed expression figures Flemish florins Francis Franz Hanfstangl Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Knackfuss landscape letter Liechtenstein life-size Louvre magnificent Mantua Maria de Medici Mary Magdalene master Medici Gallery monks Munich Pinakothek Museum at Antwerp Museum at Madrid Museum at Vienna mythological nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish splendour Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |