Rubens |
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Page 40
Two different representations of the Liberation of Andromeda , apparently painted
about the same period (1610 — 1615), rank among his happiest mythological
creations. One of these is in the Hermitage at St. Petersburg; in which against the
...
Two different representations of the Liberation of Andromeda , apparently painted
about the same period (1610 — 1615), rank among his happiest mythological
creations. One of these is in the Hermitage at St. Petersburg; in which against the
...
Page 45
If we look for dates on Rubens' pictures we may find a mythological painting of
Jupiter and Callisto in the Gallery at Cassel, dated 1613; and another delicious
little night-piece, representing the Flight into Egypt in the same collection, dated ...
If we look for dates on Rubens' pictures we may find a mythological painting of
Jupiter and Callisto in the Gallery at Cassel, dated 1613; and another delicious
little night-piece, representing the Flight into Egypt in the same collection, dated ...
Page 72
We find her again in a very similar attitude, though in a much larger mythological
composition, among the Daughters of Cccrops discovering the child Errchfhonios
. Here she is one of the two maidens , who , in defiance of the command of ...
We find her again in a very similar attitude, though in a much larger mythological
composition, among the Daughters of Cccrops discovering the child Errchfhonios
. Here she is one of the two maidens , who , in defiance of the command of ...
Page 86
If, in the present day, a somewhat depreciatory judgment has been passed upon
these work of the master, it is perhaps chiefly due to his having mixed up the Real
with the Unreal, the Historical with the Mythological and Symbolical; the ...
If, in the present day, a somewhat depreciatory judgment has been passed upon
these work of the master, it is perhaps chiefly due to his having mixed up the Real
with the Unreal, the Historical with the Mythological and Symbolical; the ...
Page 89
In most cases however, the principal actors in each scene seem to be merely
secondary to the mythological and symbolical figures: or they themselves appear
in the guise of Gods: as for instance, in the painting which represents the Nuptials
, ...
In most cases however, the principal actors in each scene seem to be merely
secondary to the mythological and symbolical figures: or they themselves appear
in the guise of Gods: as for instance, in the painting which represents the Nuptials
, ...
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Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels Antwerp Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Berlin Museum Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration depicted designed display Dornach drawings Dresden Gallery Duke Duke of Mantua England engraving entirely executed expression figures Flemish florins Francis Franz Hanfstangl Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Knackfuss landscape letter Liechtenstein life-size Louvre magnificent Mantua Maria de Medici Mary Magdalene master Medici Gallery monks Munich Pinakothek Museum at Antwerp Museum at Madrid Museum at Vienna mythological nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish splendour Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |