RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 22
... depicted on one side also as the Tigris . The figure of Abundance is of singular beauty , such as is not often met with in the women of his later period ( Fig . 13 ) . He worked also at the Oratory of the Chiesa Nuova , completing the ...
... depicted on one side also as the Tigris . The figure of Abundance is of singular beauty , such as is not often met with in the women of his later period ( Fig . 13 ) . He worked also at the Oratory of the Chiesa Nuova , completing the ...
Page 38
... depicted Rubens ' establishment . Even Van Dyck did not think it unworthy of his genius to illustrate his masters ' dining room ; a painting now in the Museum at Stockholm . The master's endeavour to introduce Italian Renaissance taste ...
... depicted Rubens ' establishment . Even Van Dyck did not think it unworthy of his genius to illustrate his masters ' dining room ; a painting now in the Museum at Stockholm . The master's endeavour to introduce Italian Renaissance taste ...
Page 66
... depicts the solemn consecration of the hero , which takes place beneath the shade of some splendid beeches . In the fourth act of the Drama , Decius discarding his shield mounts his charger . With a look of pious determination ...
... depicts the solemn consecration of the hero , which takes place beneath the shade of some splendid beeches . In the fourth act of the Drama , Decius discarding his shield mounts his charger . With a look of pious determination ...
Page 68
... depicted with the utmost vigour . A sudden flash of light depriving the men of their senses strikes terror into the horses . Saul , as if thunderstruck , to the dismay of the companions , still able to observe him , has fallen to the ...
... depicted with the utmost vigour . A sudden flash of light depriving the men of their senses strikes terror into the horses . Saul , as if thunderstruck , to the dismay of the companions , still able to observe him , has fallen to the ...
Page 73
... above all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSS . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) In the Hermitage at St. 73.
... above all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSS . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) In the Hermitage at St. 73.
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Buckingham Cardinal Infant Carleton charm Church Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna GARDEN OF LOVE Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery Louvre Louvre at Paris Mantua marble Maria de Medici master Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife wrote