RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 2
Hermann Knackfuss. PORTRAIT OF RUBENS BY HIMSELF . In the Imperial Gallery at Vienna . After a photograph from the original by J. Löwy , Vienna . Fig . 15. THE ILDEFONSO ALTAR . In the Imperial.
Hermann Knackfuss. PORTRAIT OF RUBENS BY HIMSELF . In the Imperial Gallery at Vienna . After a photograph from the original by J. Löwy , Vienna . Fig . 15. THE ILDEFONSO ALTAR . In the Imperial.
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When we think of these sad family - events we cannot read without emotion the eulogistic epitaph which his disconsolate widow inscribed upon his tombstone , still to be seen behind the altar in that church .
When we think of these sad family - events we cannot read without emotion the eulogistic epitaph which his disconsolate widow inscribed upon his tombstone , still to be seen behind the altar in that church .
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... to present to his titular church three altar - pieces . The “ Crowning with Thorns " , the “ Crucifixion ” and the “ Invention of the Cross ” were the three pictures painted by Rubens on this occasion for this purpose .
... to present to his titular church three altar - pieces . The “ Crowning with Thorns " , the “ Crucifixion ” and the “ Invention of the Cross ” were the three pictures painted by Rubens on this occasion for this purpose .
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In 1606 he was again in Rome , where he began to paint an altar - piece for an Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however , he could finish it , he was recalled by the Duke of Mantua , in whose ...
In 1606 he was again in Rome , where he began to paint an altar - piece for an Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however , he could finish it , he was recalled by the Duke of Mantua , in whose ...
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... in 1607 the Archduke Albrecht requested the. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man In the Gallery at Cassel.
... in 1607 the Archduke Albrecht requested the. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man In the Gallery at Cassel.
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according adorned altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach drawing Duke effect England English engraving entirely executed expression figures Flemish France Franz Hanfstäng Gallery give hand head Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature occasions once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |