RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 2
Hermann Knackfuss. Portrait of RuBENS BY HIMSELF . In the Imperial Gallery at
Vienna . After a photograph from the original by J . Löwy , Vienna . Fig . 15 . THE
ILDEFONSO Altar . In the.
Hermann Knackfuss. Portrait of RuBENS BY HIMSELF . In the Imperial Gallery at
Vienna . After a photograph from the original by J . Löwy , Vienna . Fig . 15 . THE
ILDEFONSO Altar . In the.
Page 10
When we think of these sad family - events we cannot read without emotion the
eulogistic epitaph which his disconsolate widow inscribed upon his tombstone ,
still to be seen behind the altar in that church . She makes no allusion to their ...
When we think of these sad family - events we cannot read without emotion the
eulogistic epitaph which his disconsolate widow inscribed upon his tombstone ,
still to be seen behind the altar in that church . She makes no allusion to their ...
Page 14
He availed himself therefore of the opportunity afforded him by the presence in
the Eternal City of so artistically gifted a subject , with whom he no doubt became
acquainted through Otho van Veen , to present to his titular church three altar ...
He availed himself therefore of the opportunity afforded him by the presence in
the Eternal City of so artistically gifted a subject , with whom he no doubt became
acquainted through Otho van Veen , to present to his titular church three altar ...
Page 18
In 1606 he was again in Rome , where he began to paint an altar - piece for an
Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however ,
he could finish it , he was recalled by the Duke of Mantua , in whose company in
...
In 1606 he was again in Rome , where he began to paint an altar - piece for an
Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however ,
he could finish it , he was recalled by the Duke of Mantua , in whose company in
...
Page 21
EESTE The fact that in 1607 the Archduke Albrecht requested the. Fig . 15 . THE
ILDEFONSO Altar . In the Imperial Gallery at Vienna . ( To page 30 . ) THE
ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man
In the ...
EESTE The fact that in 1607 the Archduke Albrecht requested the. Fig . 15 . THE
ILDEFONSO Altar . In the Imperial Gallery at Vienna . ( To page 30 . ) THE
ELEYATION OF THE Cross . From an engraving by. Portrait of an unknown man
In the ...
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Contents
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Common terms and phrases
according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanfstäng Gallery Gerbier give hand head Helena Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |