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Page 79
There is a large composition of the same subject in the Liechtenstein Gallery, the
origin of which is not known : but another fine example, engraved by Paul Pontius
in 1624, is in the Academy at Diissel- dorf (Fig. ... Fig. 68. Maeia de Medici.
There is a large composition of the same subject in the Liechtenstein Gallery, the
origin of which is not known : but another fine example, engraved by Paul Pontius
in 1624, is in the Academy at Diissel- dorf (Fig. ... Fig. 68. Maeia de Medici.
Page 85
Maria de Medici, widow of Henry IV. of France, had returned to Paris after her
reconciliation with her son Louis XIII. After taking up her residence in the new
Luxembourg Palace, she resolved to adorn a vast gallery with paintings
descriptive of ...
Maria de Medici, widow of Henry IV. of France, had returned to Paris after her
reconciliation with her son Louis XIII. After taking up her residence in the new
Luxembourg Palace, she resolved to adorn a vast gallery with paintings
descriptive of ...
Page 86
It is said that he painted the two last scenes for this Medici Gallery entirely with
his own hands, and frequently in the presence of the Queen herself, who seemed
to take a delight in watching this celebrated man at work, and who was greatly ...
It is said that he painted the two last scenes for this Medici Gallery entirely with
his own hands, and frequently in the presence of the Queen herself, who seemed
to take a delight in watching this celebrated man at work, and who was greatly ...
Page 87
Tim Maeeiage of Maeia de Medici by Peoxy. Sketch for the picture of the Medici
Gallery in the Louvre. In the Pinakothek at Munich. After a photograph from the
original by Franz Hanfstiingl, Munich. (To page 86.) esting subjects to enliven a ...
Tim Maeeiage of Maeia de Medici by Peoxy. Sketch for the picture of the Medici
Gallery in the Louvre. In the Pinakothek at Munich. After a photograph from the
original by Franz Hanfstiingl, Munich. (To page 86.) esting subjects to enliven a ...
Page 88
Sketch for the picture of the Medici Gallery in the Louvre. ... The Marriage of Maria
de Medicis fry Proxy: — the old Archduke Ferdinand, as representative of the
King of France stood with her before the Altar: — is still more like a picture drawn
...
Sketch for the picture of the Medici Gallery in the Louvre. ... The Marriage of Maria
de Medicis fry Proxy: — the old Archduke Ferdinand, as representative of the
King of France stood with her before the Altar: — is still more like a picture drawn
...
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Contents
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Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels Antwerp Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Berlin Museum Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration depicted designed display Dornach drawings Dresden Gallery Duke Duke of Mantua England engraving entirely executed expression figures Flemish florins Francis Franz Hanfstangl Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Knackfuss landscape letter Liechtenstein life-size Louvre magnificent Mantua Maria de Medici Mary Magdalene master Medici Gallery monks Munich Pinakothek Museum at Antwerp Museum at Madrid Museum at Vienna mythological nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish splendour Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |