RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 29
The Archbishop is represented here on his knees before a throne , which occupies the centre of the picture , and from which Mary , with an expression of extreme benignity , extends to him the miraculous garment . Virgin.
The Archbishop is represented here on his knees before a throne , which occupies the centre of the picture , and from which Mary , with an expression of extreme benignity , extends to him the miraculous garment . Virgin.
Page 37
Great attention is bestowed upon the figure of St. Mary Magdalen , for whom the artist having a predilection , created a special type . This attractive figure , a maiden with a fine complexion and very fair hair.
Great attention is bestowed upon the figure of St. Mary Magdalen , for whom the artist having a predilection , created a special type . This attractive figure , a maiden with a fine complexion and very fair hair.
Page 38
a maiden with a fine complexion and very fair hair which we encounter for the first time in the Descent from the Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that ...
a maiden with a fine complexion and very fair hair which we encounter for the first time in the Descent from the Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that ...
Page 42
They are probably sketches for the charming picture painted at this period : Mary with the Infant Christ surrounded by playful Cherubs ( Fig . 25 ) ; originally no doubt an altar - piece , but now in the Gallery of the Louvre ...
They are probably sketches for the charming picture painted at this period : Mary with the Infant Christ surrounded by playful Cherubs ( Fig . 25 ) ; originally no doubt an altar - piece , but now in the Gallery of the Louvre ...
Page 45
His right arm is supported by Mary Magdalen , — the favourite female Saint of the painter , - whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at ...
His right arm is supported by Mary Magdalen , — the favourite female Saint of the painter , - whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at ...
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according adorned altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach drawing Duke effect England English engraving entirely executed expression figures Flemish France Franz Hanfstäng Gallery give hand head Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature occasions once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife wrote young