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Page 42
They are probably sketches for the charming picture painted at this period: Mary
with the Infant Christ surrounded by playful Cherubs (Fig. 25); originally no doubt
an altar-piece, but now in the Gallery of the Louvre. He also designed a number ...
They are probably sketches for the charming picture painted at this period: Mary
with the Infant Christ surrounded by playful Cherubs (Fig. 25); originally no doubt
an altar-piece, but now in the Gallery of the Louvre. He also designed a number ...
Page 64
Light radiates from the Infant as it were illuminating the Kings, the oldest of whom
is on his knees, whilst the second one, ... The same strenuous feeling is
displayed in the wrathful figure of Christ, the Avenging Judge, in a composition in
the ...
Light radiates from the Infant as it were illuminating the Kings, the oldest of whom
is on his knees, whilst the second one, ... The same strenuous feeling is
displayed in the wrathful figure of Christ, the Avenging Judge, in a composition in
the ...
Page 70
Among the numerous pictures representing the Virgin Mary with the Infant Christ
alone, or surrounded by Saints, there is a specially ... On her lap stands Jesus,
whom she supports with her right arm, whilst her left rests on the little St. John.
Among the numerous pictures representing the Virgin Mary with the Infant Christ
alone, or surrounded by Saints, there is a specially ... On her lap stands Jesus,
whom she supports with her right arm, whilst her left rests on the little St. John.
Page 128
Although an attempt at composition in the style of the great Italian masters , it is
not without importance , for the lovely Infant Christ , so characteristic of the maste
r, has peculiar charm. There is in the same Museum also another painting of the ...
Although an attempt at composition in the style of the great Italian masters , it is
not without importance , for the lovely Infant Christ , so characteristic of the maste
r, has peculiar charm. There is in the same Museum also another painting of the ...
Page 148
... in a picture at the Cologne Museum representing Alary with the Infant Christ
and the little St. John, behind whom is St. Joseph. The naked Christ Child here is
but a repetition of the infant Francis Rubens of the Louvre Collection (Fig. 120).
... in a picture at the Cologne Museum representing Alary with the Infant Christ
and the little St. John, behind whom is St. Joseph. The naked Christ Child here is
but a repetition of the infant Francis Rubens of the Louvre Collection (Fig. 120).
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Other editions - View all
Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels Antwerp Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Berlin Museum Brussels Buckingham Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration depicted designed display Dornach drawings Dresden Gallery Duke Duke of Mantua England engraving entirely executed expression figures Flemish florins Francis Franz Hanfstangl Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Isabella Brant Jesuit Knackfuss landscape letter Liechtenstein life-size Louvre magnificent Mantua Maria de Medici Mary Magdalene master Medici Gallery monks Munich Pinakothek Museum at Antwerp Museum at Madrid Museum at Vienna mythological nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum Poeteait portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish splendour Virgin whilst wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |