RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 12
It represents the Dead Christ , supported by two angels and holding the symbols
of his Passion , in the arms of God the Father above whom hovers the Holy Spirit .
It must be admitted , that this picture taken as a whole , is neither satisfactory ...
It represents the Dead Christ , supported by two angels and holding the symbols
of his Passion , in the arms of God the Father above whom hovers the Holy Spirit .
It must be admitted , that this picture taken as a whole , is neither satisfactory ...
Page 14
The “ Crowning with Thorns ” , the “ Crucifixion ” and the “ Invention of the Cross ”
were the three pictures painted by Rubens on this occasion for this purpose .
They remained in situ until 1811 , when Fig . 9 . Christ , from a series of drawings
...
The “ Crowning with Thorns ” , the “ Crucifixion ” and the “ Invention of the Cross ”
were the three pictures painted by Rubens on this occasion for this purpose .
They remained in situ until 1811 , when Fig . 9 . Christ , from a series of drawings
...
Page 18
After he had accomplished his mission to the King of Spain he was employed
until the following autumn by the Duke of Lerma , of whom he painted an
equestrian portrait , besides thirteen single figures : Christ and his Twelve
Apostles .
After he had accomplished his mission to the King of Spain he was employed
until the following autumn by the Duke of Lerma , of whom he painted an
equestrian portrait , besides thirteen single figures : Christ and his Twelve
Apostles .
Page 22
We need only mention a picture in the Hermitage Christ in the House of Simon ,
which recalls Paolo Veronese : the versions of Venus and Adonis at the Hague ,
in Munich , and at St . Petersburg , influenced by Titian ; and the Pietà in the ...
We need only mention a picture in the Hermitage Christ in the House of Simon ,
which recalls Paolo Veronese : the versions of Venus and Adonis at the Hague ,
in Munich , and at St . Petersburg , influenced by Titian ; and the Pietà in the ...
Page 34
The dead Christ lowered in a white sheet is surrounded by His disciples and
friends , who support His body , whilst near at hand stands His Mother . Her head
is shrouded in a mourning veil ; she is overcome with grief and supported by the
...
The dead Christ lowered in a white sheet is surrounded by His disciples and
friends , who support His body , whilst near at hand stands His Mother . Her head
is shrouded in a mourning veil ; she is overcome with grief and supported by the
...
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Common terms and phrases
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