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Page 9
It was therefore only Engraving by L. Vostermann . ( To page 16. ) by sacrificing all but £ 120 of the security that. 9 Christ, from a series of drawings: Christ and the twelve Apostles In Albertina at Vienna.
It was therefore only Engraving by L. Vostermann . ( To page 16. ) by sacrificing all but £ 120 of the security that. 9 Christ, from a series of drawings: Christ and the twelve Apostles In Albertina at Vienna.
Page 12
It represents the Dead Christ , supported by two angels and holding the symbols of his Passion , in the arms of God the Father above whom hovers the Holy Spirit . It must be admitted , that this picture taken as a whole , is neither ...
It represents the Dead Christ , supported by two angels and holding the symbols of his Passion , in the arms of God the Father above whom hovers the Holy Spirit . It must be admitted , that this picture taken as a whole , is neither ...
Page 14
... and the “ Invention of the Cross ” were the three pictures painted by Rubens on this occasion for this purpose . They remained in situ until 1811 , when Fig . 9. Christ , from a series of drawings : Christ and the twelve Apostles .
... and the “ Invention of the Cross ” were the three pictures painted by Rubens on this occasion for this purpose . They remained in situ until 1811 , when Fig . 9. Christ , from a series of drawings : Christ and the twelve Apostles .
Page 18
After he had accomplished his mission to the King of Spain he was employed until the following autumn by the Duke of Lerma , of whom he painted an equestrian portrait , besides thirteen single figures : Christ and his Twelve Apostles .
After he had accomplished his mission to the King of Spain he was employed until the following autumn by the Duke of Lerma , of whom he painted an equestrian portrait , besides thirteen single figures : Christ and his Twelve Apostles .
Page 22
We need only mention a picture in the Hermitage Christ in the House of Simon , which recalls Paolo Veronese : the versions of Venus and Adonis at the Hague , in Munich , and at St. Petersburg , influenced by Titian ; and the Pietà in ...
We need only mention a picture in the Hermitage Christ in the House of Simon , which recalls Paolo Veronese : the versions of Venus and Adonis at the Hague , in Munich , and at St. Petersburg , influenced by Titian ; and the Pietà in ...
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according adorned altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels charm Christ Church Clément Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach drawing Dresden Duke effect England English engraving entirely executed expression figures Flemish France Franz Hanfstäng Gallery give hand head Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature occasions once original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish stands town whilst whole wife wrote young
Bibliographic information
| Title | Rubens Added t.-p.: Monographs on artists ... IX Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |