Continuum Encyclopedia of Popular Music of the World Part 1 Performance and Production: Volume IIJohn Shepherd, David Horn, Dave Laing, Paul Oliver, Peter Wicke Bloomsbury Academic, 2003 M07 8 - 712 pages The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. |
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accordion African-American American arrangements artists audience audio ballroom band music banjo barbershop bass Beatles became Bibliography big band Black blues brass band brass instruments cabaret chanson chansonniers choirs chords classical close harmony clubs composers country music created culture dance bands dance music developed disc Discographical References drum early ensemble example film Folk Music genres gospel guitar improvisation included instru instruments jazz band John late London mariachi melody ment microphone Mills Brothers minstrel mixing multitrack multitrack recording musicians Napster notation notes orchestra Original music Orleans Oxford Paris performance piano played players popular music practise produced Quartet radio recording studio reggae rehearsal repertoire rhythm rhythm and blues rock rock music role roll session singer-songwriter singing solo soloists songs songwriters string band style swing synthesizers tape recorders technique term tion tracks tradition tunes twentieth century United University Press vocal groups vocalists voice York