RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Page 47
... charm in close contrast . In the Gallery at Cassel there is a splendid subject with a half - figure of Meleager presenting the bristling head of the Calydonian boar to the beautiful huntress , whilst Envy lurks in the background ...
... charm in close contrast . In the Gallery at Cassel there is a splendid subject with a half - figure of Meleager presenting the bristling head of the Calydonian boar to the beautiful huntress , whilst Envy lurks in the background ...
Page 88
... charm of their healthy vitality . Splendid personifications of Rubens ' ideal of female beauty are the Fates , who spin the thread of Sketch for the picture of the Medici Gallery in the Louvre . In the Pinakothek at Munich . After a ...
... charm of their healthy vitality . Splendid personifications of Rubens ' ideal of female beauty are the Fates , who spin the thread of Sketch for the picture of the Medici Gallery in the Louvre . In the Pinakothek at Munich . After a ...
Page 89
... although otherwise the Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life Fig . 72. STUDY FROM THE NUDE . Drawing in. Fig . 71. THE RECONCILIATION . Paris and New - York . ( To page 92. 89.
... although otherwise the Queen always appears in her own likeness ; - full of youthful charm in the scenes from her early life Fig . 72. STUDY FROM THE NUDE . Drawing in. Fig . 71. THE RECONCILIATION . Paris and New - York . ( To page 92. 89.
Page 92
... charm that this great master of colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration ...
... charm that this great master of colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration ...
Page 97
... charm of glowing colour . The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes ...
... charm of glowing colour . The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife