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Page 6
ALLEGED PortRAIT of THE ARtist's Mother. gine that you could In the Pinakothek
at Munich. After a photograph from the original by Franz Hanfstängl, Munich. ever
think, that I should (To page 13.) make great difficulty in this matter, as indeed I ...
ALLEGED PortRAIT of THE ARtist's Mother. gine that you could In the Pinakothek
at Munich. After a photograph from the original by Franz Hanfstängl, Munich. ever
think, that I should (To page 13.) make great difficulty in this matter, as indeed I ...
Page 8
The noble sentiments of the mother are reflected in the superior bearing and
noble mind, which later on distinguished the famous son. After the generous
woman had vainly tried for two years by personal and epistolary entreaties to
secure her ...
The noble sentiments of the mother are reflected in the superior bearing and
noble mind, which later on distinguished the famous son. After the generous
woman had vainly tried for two years by personal and epistolary entreaties to
secure her ...
Page 10
She makes no allusion to their sojourn at Siegen, and it can easily be understood
why the family avoided speaking of it; for there is no doubt that the loving mother
tried to hide from her children those sad circumstances, which had caused her ...
She makes no allusion to their sojourn at Siegen, and it can easily be understood
why the family avoided speaking of it; for there is no doubt that the loving mother
tried to hide from her children those sad circumstances, which had caused her ...
Page 13
This painting, if tradition is to be believed, represents his mother (Fig. 1) and we
may therefore conclude that it was painted before he went to Italy. A lengthy stay
in Italy was regarded at that time as an indispensable factor in the education of a
...
This painting, if tradition is to be believed, represents his mother (Fig. 1) and we
may therefore conclude that it was painted before he went to Italy. A lengthy stay
in Italy was regarded at that time as an indispensable factor in the education of a
...
Page 23
This painting he subsequently brought back to his own country and placed above
the grave of his mother. Fig. 16. THE Elevation of THE CRoss. Drawing in black
and red chalk on green paper, washed and hightened with white. In the Louvre ...
This painting he subsequently brought back to his own country and placed above
the grave of his mother. Fig. 16. THE Elevation of THE CRoss. Drawing in black
and red chalk on green paper, washed and hightened with white. In the Louvre ...
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Bibliographic information
| Title | Rubens Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |