Rubens |
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Page 3
... that this volume on "Rubens" which in spite of its brevity, has gone through
seven editions in Germany, in less than ten years still holds its own, beside more
elaborate and ambitious works, published since on this great Flemish master.
... that this volume on "Rubens" which in spite of its brevity, has gone through
seven editions in Germany, in less than ten years still holds its own, beside more
elaborate and ambitious works, published since on this great Flemish master.
Page 11
Peter Paul Rubens' first master was the landscape-painter Tobias Ver- haeght,
under whom however he studied but a short time. Then for four years he worked
in the atelier of Adam van Noort, an artist much praised by his contemporaries for
...
Peter Paul Rubens' first master was the landscape-painter Tobias Ver- haeght,
under whom however he studied but a short time. Then for four years he worked
in the atelier of Adam van Noort, an artist much praised by his contemporaries for
...
Page 13
He first went to Venice where the works of the masters of glowing colour no doubt
specially attracted him. Through the medium of a Mantuan nobleman, whose
acquaintance he made in Venice he was invited to the court of Mantua during
that ...
He first went to Venice where the works of the masters of glowing colour no doubt
specially attracted him. Through the medium of a Mantuan nobleman, whose
acquaintance he made in Venice he was invited to the court of Mantua during
that ...
Page 14
In the year 1601 he was sent to Rome to copy some of the celebrated old masters
. Whilst there he also received a commission from his own country. Archduke
Albrecht of Austria, who had married Isabella, daughter of Philip II. of Spain, had
...
In the year 1601 he was sent to Rome to copy some of the celebrated old masters
. Whilst there he also received a commission from his own country. Archduke
Albrecht of Austria, who had married Isabella, daughter of Philip II. of Spain, had
...
Page 15
It stands to reason that Rubens during his stay in Rome studied antique art as
well as the works of the great Masters of the Renaissance, and he had also an
opportunity of continuing these studies, in the rich collections of Painting and ...
It stands to reason that Rubens during his stay in Rome studied antique art as
well as the works of the great Masters of the Renaissance, and he had also an
opportunity of continuing these studies, in the rich collections of Painting and ...
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Bibliographic information
| Title | Rubens |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |