RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Results 1-5 of 13
Page 13
... colour no doubt specially attracted him . Through the medium of a Mantuan nobleman , whose acquaintance he made in Venice he was in- vited to the court of Mantua during that same year . Among all the numerous art - loving princes of his ...
... colour no doubt specially attracted him . Through the medium of a Mantuan nobleman , whose acquaintance he made in Venice he was in- vited to the court of Mantua during that same year . Among all the numerous art - loving princes of his ...
Page 15
... into his own language of colour and form ; especially the Dresden picture , where one may even detect in the fair Venetian something of his own Flemish ideals of beauty . On other occasions Rubens treated his subject even more freely. 15.
... into his own language of colour and form ; especially the Dresden picture , where one may even detect in the fair Venetian something of his own Flemish ideals of beauty . On other occasions Rubens treated his subject even more freely. 15.
Page 28
... colour , which , however , did not long remain in the position intended for it ; for in 1612 it was presented by the municipality to Count Oliva , in order to obtain his favour , who took it with him to Spain . When some time afterwards ...
... colour , which , however , did not long remain in the position intended for it ; for in 1612 it was presented by the municipality to Count Oliva , in order to obtain his favour , who took it with him to Spain . When some time afterwards ...
Page 42
... colour ( Fig . 23 ) . Fig . 33. THE BETRAYAL OF SAMSON . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängl , Munich . ( To page 47 ) Rubens always possessed great talent in the representation of the ...
... colour ( Fig . 23 ) . Fig . 33. THE BETRAYAL OF SAMSON . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängl , Munich . ( To page 47 ) Rubens always possessed great talent in the representation of the ...
Page 64
... colour . The key - note is the King in the centre , clad in a magnificent red mantle , which forms a contrast with the blue garment of the Virgin . Light radiates from the Infant as it were illuminating the Kings , the oldest of whom is ...
... colour . The key - note is the King in the centre , clad in a magnificent red mantle , which forms a contrast with the blue garment of the Virgin . Light radiates from the Infant as it were illuminating the Kings , the oldest of whom is ...
Other editions - View all
Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife