RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 6
O God ! may that never be ! My soul is so much in sympathy with yours and in
union with you , that Fig . 2 . THE APOSTLES PETER AND Paul . Fig . 1 .
ALLEGED PORTRAIT OF THE ARTIST ' S MOTHER . Fig . 15 . THE ILDEFONSO
Altar .
O God ! may that never be ! My soul is so much in sympathy with yours and in
union with you , that Fig . 2 . THE APOSTLES PETER AND Paul . Fig . 1 .
ALLEGED PORTRAIT OF THE ARTIST ' S MOTHER . Fig . 15 . THE ILDEFONSO
Altar .
Page 10
When we think of these sad family - events we cannot read without emotion the
eulogistic epitaph which his disconsolate widow inscribed upon his tombstone ,
still to be seen behind the altar in that church . She makes no allusion to their ...
When we think of these sad family - events we cannot read without emotion the
eulogistic epitaph which his disconsolate widow inscribed upon his tombstone ,
still to be seen behind the altar in that church . She makes no allusion to their ...
Page 14
He availed himself therefore of the opportunity afforded him by the presence in
the Eternal City of so artistically gifted a subject , with whom he no doubt became
acquainted through Otho van Veen , to present to his titular church three altar ...
He availed himself therefore of the opportunity afforded him by the presence in
the Eternal City of so artistically gifted a subject , with whom he no doubt became
acquainted through Otho van Veen , to present to his titular church three altar ...
Page 18
In 1606 he was again in Rome , where he began to paint an altar - piece for an
Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however ,
he could finish it , he was recalled by the Duke of Mantua , in whose company in
...
In 1606 he was again in Rome , where he began to paint an altar - piece for an
Oratory just built , known as the new church ( Chiesa Nuova ) . Before , however ,
he could finish it , he was recalled by the Duke of Mantua , in whose company in
...
Page 21
Hermann Knackfuss. Fig . 15 . THE ILDEFONSO Altar . In the Imperial Gallery , at
Vienna . ( To page 30 . ) Fig . 17 . THE ELEYATION OF THE Cross .
Hermann Knackfuss. Fig . 15 . THE ILDEFONSO Altar . In the Imperial Gallery , at
Vienna . ( To page 30 . ) Fig . 17 . THE ELEYATION OF THE Cross .
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according adorned Albertina at Vienna altar altar-piece Antwerp appears artist beautiful Brussels charm child Christ church Clément Clément & Co Collection colour commission completion composition Cross daughter death decoration designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures four France Franz Hanfstäng Gallery Gallery at Vienna give hand head Holy Imperial Infant intended Isabella Italy King known ladies landscape later learned letter Liechtenstein light live Louvre Maria Mary master Medici mother Museum original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish studies town Virgin whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | H. Grevel & Company, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |