Rubens |
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Page 15
His attempts to impart to his own creations something of the Titanic grandeur of the great Florentine are clearly visible in a drawing in the Albertina collection in Vienna ( Fig . 2 ) , representing his two patrons , Saint ...
His attempts to impart to his own creations something of the Titanic grandeur of the great Florentine are clearly visible in a drawing in the Albertina collection in Vienna ( Fig . 2 ) , representing his two patrons , Saint ...
Page 23
which are still to be seen over the high - altar , representing the Queen of Heaven with three Saints on either hand . He reserved for himself however the picture that he had first painted , in which , besides the two Patrons of the ...
which are still to be seen over the high - altar , representing the Queen of Heaven with three Saints on either hand . He reserved for himself however the picture that he had first painted , in which , besides the two Patrons of the ...
Page 30
Virgin - Saints stand on cither side of the throne as ladies in waiting , whilst in a flood of light child - angels joyously hover around it . In the two wings the Archduke and his Archduchess on their knees , clad in royal robes ...
Virgin - Saints stand on cither side of the throne as ladies in waiting , whilst in a flood of light child - angels joyously hover around it . In the two wings the Archduke and his Archduchess on their knees , clad in royal robes ...
Page 39
Rubens painted in 1612 a picture of the Resurrection , with figures of Saints and Angels on the side wings , for his friend Balthasar Moretus . This work was intended to be placed over the tomb of Moretus ' father in the Antwerp ...
Rubens painted in 1612 a picture of the Resurrection , with figures of Saints and Angels on the side wings , for his friend Balthasar Moretus . This work was intended to be placed over the tomb of Moretus ' father in the Antwerp ...
Page 45
His right arm is supported by Mary Magdalen , —the favourite female Saint of the painter , — whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna ...
His right arm is supported by Mary Magdalen , —the favourite female Saint of the painter , — whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna ...
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according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful Brussels charm Christ church Clément Clément & Co Collection colour commission completion composition Cross daughter death designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gallery at Vienna give hand head Hermitage at St Holy Imperial Infant intended Isabella Italy King known ladies landscape later learned letter Liechtenstein light live Louvre Maria Mary master Medici mother Museum original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish studies town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |