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Page 15
His attempts to impart to his own creations something of the Titanic grandeur of
the great Florentine are clearly visible in a drawing in the Albertina collection in
Vienna (Fig. 2), representing his two patrons, Saint Peter and Saint Paul. It is
most ...
His attempts to impart to his own creations something of the Titanic grandeur of
the great Florentine are clearly visible in a drawing in the Albertina collection in
Vienna (Fig. 2), representing his two patrons, Saint Peter and Saint Paul. It is
most ...
Page 23
which are still to be seen over the high -altar, representing the Queen of Heaven
with three Saints on either hand. He reserved for himself however the picture that
he had first painted, in which, besides the two Patrons of the church, he had ...
which are still to be seen over the high -altar, representing the Queen of Heaven
with three Saints on either hand. He reserved for himself however the picture that
he had first painted, in which, besides the two Patrons of the church, he had ...
Page 29
The Archbishop is represented here on his knees before a throne, which
occupies the centre of the picture, and from which Mary, with an expression ot
extreme benignity, extends to him the miraculous garment. Virgin -Saints stand.
29.
The Archbishop is represented here on his knees before a throne, which
occupies the centre of the picture, and from which Mary, with an expression ot
extreme benignity, extends to him the miraculous garment. Virgin -Saints stand.
29.
Page 30
Virgin -Saints stand on cither side of the throne as ladies in waiting, whilst in a
flood of light child -angels joyously hover around it. In the two wings the Archduke
and his Archduchess on their knees, clad in royal robes, and with their Patrons ...
Virgin -Saints stand on cither side of the throne as ladies in waiting, whilst in a
flood of light child -angels joyously hover around it. In the two wings the Archduke
and his Archduchess on their knees, clad in royal robes, and with their Patrons ...
Page 39
Rubens painted in 1612 a picture of the Resurrection, with figures of Saints and
Angels on the side wings, for his friend Balthasar Moretus. This work was
intended to be placed over the tomb of Moretus' father in the Antwerp Cathedral,
and it ...
Rubens painted in 1612 a picture of the Resurrection, with figures of Saints and
Angels on the side wings, for his friend Balthasar Moretus. This work was
intended to be placed over the tomb of Moretus' father in the Antwerp Cathedral,
and it ...
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according adorned Albertina at Vienna altar-piece Antwerp appears artist beautiful Brussels charm Christ church Clément Collection Cologne colour commission completion composition Court Cross daughter death decoration designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanſstängl Gallery Gallery at Vienna give hand head Hermitage at St Holy Imperial Infant intended Isabella Italy King known Lady landscape later learned letter Liechtenstein light live Louvre Love Madrid Maria Mary master Medici mother Museum original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish Study town whilst whole wife young
Bibliographic information
| Title | Rubens Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |