Rubens |
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Page 15
His attempts to impart to his own creations something of the Titanic grandeur of
the great Florentine are clearly visible in a drawing in the Albertina collection in
Vienna (Fig. 2), representing his two patrons, Saint Peter and Saint Paul. It is
most ...
His attempts to impart to his own creations something of the Titanic grandeur of
the great Florentine are clearly visible in a drawing in the Albertina collection in
Vienna (Fig. 2), representing his two patrons, Saint Peter and Saint Paul. It is
most ...
Page 23
which are still to be seen over the high -altar, representing the Queen of Heaven
with three Saints on either hand. He reserved for himself however the picture that
he had first painted, in which, besides the two Patrons of the church, he had ...
which are still to be seen over the high -altar, representing the Queen of Heaven
with three Saints on either hand. He reserved for himself however the picture that
he had first painted, in which, besides the two Patrons of the church, he had ...
Page 29
The Archbishop is represented here on his knees before a throne, which
occupies the centre of the picture, and from which Mary, with an expression ot
extreme benignity, extends to him the miraculous garment. Virgin -Saints stand.
29.
The Archbishop is represented here on his knees before a throne, which
occupies the centre of the picture, and from which Mary, with an expression ot
extreme benignity, extends to him the miraculous garment. Virgin -Saints stand.
29.
Page 30
Virgin -Saints stand on cither side of the throne as ladies in waiting, whilst in a
flood of light child -angels joyously hover around it. In the two wings the Archduke
and his Archduchess on their knees, clad in royal robes, and with their Patrons ...
Virgin -Saints stand on cither side of the throne as ladies in waiting, whilst in a
flood of light child -angels joyously hover around it. In the two wings the Archduke
and his Archduchess on their knees, clad in royal robes, and with their Patrons ...
Page 39
Rubens painted in 1612 a picture of the Resurrection, with figures of Saints and
Angels on the side wings, for his friend Balthasar Moretus. This work was
intended to be placed over the tomb of Moretus' father in the Antwerp Cathedral,
and it ...
Rubens painted in 1612 a picture of the Resurrection, with figures of Saints and
Angels on the side wings, for his friend Balthasar Moretus. This work was
intended to be placed over the tomb of Moretus' father in the Antwerp Cathedral,
and it ...
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Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Brussels Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Mantua England English engraving executed expression figures Flemish florins France Franz Hanfstangl Gallery at Cassel Gallery at Vienna Gerbier Goddess hand head Helena Fourment Hermitage at St Holy Imperial Museum Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Madonna Madrid Maria de Medici master Medici Gallery mother Munich Pinakothek Museum at Antwerp Museum at Vienna Netherlands Nymphs original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife
Bibliographic information
| Title | Rubens |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |