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Page 9
It was therefore only Engraving by L. Vostermann. (To page 16.) - by sacrificing
all but £ 120 of the security that. Fig. 4. Democritos, from a series of antique
portrait-heads. vo * 6. TIBERIus AND AGRIPPINA. In the Liechtenstein Gallery at.
9.
It was therefore only Engraving by L. Vostermann. (To page 16.) - by sacrificing
all but £ 120 of the security that. Fig. 4. Democritos, from a series of antique
portrait-heads. vo * 6. TIBERIus AND AGRIPPINA. In the Liechtenstein Gallery at.
9.
Page 11
In the. * 6. TIBERIus AND AGRIPPINA. In the Liechtenstein Gallery at Vienna.
After a photograph from the original by Braun, Clément & Co., Dornach, Paris and
New-York. (To page 16.) Fig. 8. Head of A Bishop. In the Dresden Gallery. II.
In the. * 6. TIBERIus AND AGRIPPINA. In the Liechtenstein Gallery at Vienna.
After a photograph from the original by Braun, Clément & Co., Dornach, Paris and
New-York. (To page 16.) Fig. 8. Head of A Bishop. In the Dresden Gallery. II.
Page 16
The thorough grasp that Rubens acquired of the classical beauty of old marbles
is best proved by the profiles of a Roman couple, now in the collection of Prince
Liechtenstein in Vienna (Fig. 6). There are also in the Albertina fine Fig. 12.
The thorough grasp that Rubens acquired of the classical beauty of old marbles
is best proved by the profiles of a Roman couple, now in the collection of Prince
Liechtenstein in Vienna (Fig. 6). There are also in the Albertina fine Fig. 12.
Page 22
... recalls Paolo Veronese: the versions of Venus and Adonz's at the Hague, in
Munich, and at St. Petersburg, influenced by Titian; and the Pietà in the
Collection of Prince Liechtenstein, which shows how much he appreciated
Caravaggio.
... recalls Paolo Veronese: the versions of Venus and Adonz's at the Hague, in
Munich, and at St. Petersburg, influenced by Titian; and the Pietà in the
Collection of Prince Liechtenstein, which shows how much he appreciated
Caravaggio.
Page 45
... the favourite female Saint of the painter, whilst in the foreground kneel the
other Maries Fig. 36. Head of A Child (Rubens' eldest daughter). In the
Liechtenstein Gallery at Vienna. After a photograph from the original by Braun,
Clément & Co., ...
... the favourite female Saint of the painter, whilst in the foreground kneel the
other Maries Fig. 36. Head of A Child (Rubens' eldest daughter). In the
Liechtenstein Gallery at Vienna. After a photograph from the original by Braun,
Clément & Co., ...
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Bibliographic information
| Title | Rubens Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |