RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 11
In the Liechtenstein Gallery at Vienna . After a photograph from the original by
Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 16. ) coon
showed themselves . At Antwerp the Art of painting was flourishing in spite of the
fact ...
In the Liechtenstein Gallery at Vienna . After a photograph from the original by
Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 16. ) coon
showed themselves . At Antwerp the Art of painting was flourishing in spite of the
fact ...
Page 16
The thorough grasp that Rubens acquired of the classical beauty of old marbles
is best proved by the profiles of a Roman couple , now in the collection of Prince
Liechtenstein in Vienna ( Fig . 6 ) . There are also in the Albertina fine ar R. 1 2 ...
The thorough grasp that Rubens acquired of the classical beauty of old marbles
is best proved by the profiles of a Roman couple , now in the collection of Prince
Liechtenstein in Vienna ( Fig . 6 ) . There are also in the Albertina fine ar R. 1 2 ...
Page 22
... and the Pietà in the Collection of Prince Liechtenstein , which shows how much
he appreciated Caravaggio . Besides other Italian masters , Giulio Romano ,
whose most important works are at Mantua , had a decided influence on Rubens
.
... and the Pietà in the Collection of Prince Liechtenstein , which shows how much
he appreciated Caravaggio . Besides other Italian masters , Giulio Romano ,
whose most important works are at Mantua , had a decided influence on Rubens
.
Page 39
Above all. Fig . 30. Two Satyrs . In the Pinakothek at Munich . After a photograph
from the original by Franz Hanfstängl , Munich . ( To page 47. ) Fig . 31.
BACCHANALIA . In the Liechtenstein Gallery at. 39.
Above all. Fig . 30. Two Satyrs . In the Pinakothek at Munich . After a photograph
from the original by Franz Hanfstängl , Munich . ( To page 47. ) Fig . 31.
BACCHANALIA . In the Liechtenstein Gallery at. 39.
Page 40
... which against the dark background of a precipice the hero. Fig . 31.
BACCHANALIA . In the Liechtenstein Gallery at Vienna . After a photograph from
the original by Franz Hansstängl , Munich . ( To page 47. ) MELEAGER AND
ATALANTA .
... which against the dark background of a precipice the hero. Fig . 31.
BACCHANALIA . In the Liechtenstein Gallery at Vienna . After a photograph from
the original by Franz Hansstängl , Munich . ( To page 47. ) MELEAGER AND
ATALANTA .
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according adorned Albertina at Vienna altar altar-piece Antwerp appears artist beautiful Brussels charm Christ church Clément Clément & Co Collection colour commission completion composition Cross daughter death designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gallery at Vienna give hand head Hermitage at St Holy Imperial Infant intended Isabella Italy King known ladies landscape later learned letter Liechtenstein light live Louvre Maria Mary master Medici mother Museum nature original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish studies town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |