RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 10
... Italian , and English . We know from Balthasar Moretus , a celebrated printer of the time , that Rubens was esteemed in his school as much for his intellectual qualities as for the amiability of his character . For a time he was ...
... Italian , and English . We know from Balthasar Moretus , a celebrated printer of the time , that Rubens was esteemed in his school as much for his intellectual qualities as for the amiability of his character . For a time he was ...
Page 12
... Italian art at that time . In 1598 Peter Paul Rubens was admitted into the guild of St. Luke . We do not know however much about his early work ; although the Holy Trinity in the Museum at Antwerp is generally regarded as one of his ...
... Italian art at that time . In 1598 Peter Paul Rubens was admitted into the guild of St. Luke . We do not know however much about his early work ; although the Holy Trinity in the Museum at Antwerp is generally regarded as one of his ...
Page 13
... Italy . A lengthy stay in Italy was regarded at that time as an indispensable factor in the education of a painter . Rubens started on the 9th of May 1600 on his Italian travels . He first went to Venice where the works of the masters ...
... Italy . A lengthy stay in Italy was regarded at that time as an indispensable factor in the education of a painter . Rubens started on the 9th of May 1600 on his Italian travels . He first went to Venice where the works of the masters ...
Page 15
... Italian Masters . His copies of the portrait of Isabella d'Este , now in the Museum of ArtHistory at Vienna : and of a young Venetian lady at Dresden , both after Titian , clearly show how minutely Rubens had studied that great ...
... Italian Masters . His copies of the portrait of Isabella d'Este , now in the Museum of ArtHistory at Vienna : and of a young Venetian lady at Dresden , both after Titian , clearly show how minutely Rubens had studied that great ...
Page 22
... Italy . Numbers of his paintings prove how deeply he was impressed by the great Italian master - pieces and how much enjoyment he derived from them . We need only mention a picture in the Hermitage Christ in the House of Simon , which ...
... Italy . Numbers of his paintings prove how deeply he was impressed by the great Italian master - pieces and how much enjoyment he derived from them . We need only mention a picture in the Hermitage Christ in the House of Simon , which ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife
Bibliographic information
| Title | Rubens Added t.-p.: Monographs on artists ... IX Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |