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Page 2
Hermann Knackfuss. PortraIT OF RUBENS BY HIMSELF . In the Imperial Gallery at Vienna . After a photograph from the original by J. Löwy , Vienna . ALLEGED PORTRAIT OF THE ARTIST'S MOTHER . In the Pinakothek.
Hermann Knackfuss. PortraIT OF RUBENS BY HIMSELF . In the Imperial Gallery at Vienna . After a photograph from the original by J. Löwy , Vienna . ALLEGED PORTRAIT OF THE ARTIST'S MOTHER . In the Pinakothek.
Page 6
My soul is so much in sympathy with yours and in union with you , that Fig . 2 . THE APOSTLES PETER AND Paul . ALLEGED PORTRAIT OF THE ARTIST'S MOTHER . In the Pinakothek at Munich . Fig . 15. THE ILDEFONSO ALTAR . In the Imperial.
My soul is so much in sympathy with yours and in union with you , that Fig . 2 . THE APOSTLES PETER AND Paul . ALLEGED PORTRAIT OF THE ARTIST'S MOTHER . In the Pinakothek at Munich . Fig . 15. THE ILDEFONSO ALTAR . In the Imperial.
Page 21
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEYATION OF THE Cross . From an engraving by.
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEYATION OF THE Cross . From an engraving by.
Page 36
In the Imperial Museum at Vienna . their outer side St. Christopher . This latter subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea of Christ being thus carried is the binding link in all four ...
In the Imperial Museum at Vienna . their outer side St. Christopher . This latter subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea of Christ being thus carried is the binding link in all four ...
Page 71
In the Imperial Gallery at Vienna . The peculiarly attractive , and graciously modelled figure of a woman , with hair and complexion shining , as it were , in their own brilliance , so frequently painted by Rubens as Mary Magdalene ...
In the Imperial Gallery at Vienna . The peculiarly attractive , and graciously modelled figure of a woman , with hair and complexion shining , as it were , in their own brilliance , so frequently painted by Rubens as Mary Magdalene ...
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