Rubens |
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Page 22
Among the pictures in Germany belonging to Rubens' Italian periodv mention
must be made of a very fine St. Sebastian in the Berlin Museum and an
Inebriated Hercules in the Gallery at Cassel; a larger replica ot which is at
Dresden. In 1608 ...
Among the pictures in Germany belonging to Rubens' Italian periodv mention
must be made of a very fine St. Sebastian in the Berlin Museum and an
Inebriated Hercules in the Gallery at Cassel; a larger replica ot which is at
Dresden. In 1608 ...
Page 28
... shape ot an Ancona: Fig. 21. PORTRAIT OF AN UNKNOWN MAN. In the
Gallery at Cassel. After a photograph from the original by Franz Hanfstangl,
Munich. (To page 39) Fig. 33. THE BETRAYAL OF SAMSON. In the Pinakothek at
. 28.
... shape ot an Ancona: Fig. 21. PORTRAIT OF AN UNKNOWN MAN. In the
Gallery at Cassel. After a photograph from the original by Franz Hanfstangl,
Munich. (To page 39) Fig. 33. THE BETRAYAL OF SAMSON. In the Pinakothek at
. 28.
Page 45
If we look for dates on Rubens' pictures we may find a mythological painting of
Jupiter and Callisto in the Gallery at Cassel, dated 1613; and another delicious
little night-piece, representing the Flight into Egypt in the same collection, dated ...
If we look for dates on Rubens' pictures we may find a mythological painting of
Jupiter and Callisto in the Gallery at Cassel, dated 1613; and another delicious
little night-piece, representing the Flight into Egypt in the same collection, dated ...
Page 47
In the Gallery at Cassel there is a splendid subject with a half- figure of Meleager
presenting the bristling head of the Calydonian boar to the beautiful huntress,
whilst Envy lurks in the background. Another representation of the same subject
is ...
In the Gallery at Cassel there is a splendid subject with a half- figure of Meleager
presenting the bristling head of the Calydonian boar to the beautiful huntress,
whilst Envy lurks in the background. Another representation of the same subject
is ...
Page 62
... had treated once before with great success, on. Fig. 52. "MARY, REFUGE OF
SINNERS." In the Gallery at Cassel. After a photograph from the original by Franz
Hanfstangl, Munich. (To page 70.) Fig. 53. THE COMMUNION OF St. FRANCIS.
... had treated once before with great success, on. Fig. 52. "MARY, REFUGE OF
SINNERS." In the Gallery at Cassel. After a photograph from the original by Franz
Hanfstangl, Munich. (To page 70.) Fig. 53. THE COMMUNION OF St. FRANCIS.
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