Rubens |
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Page 14
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 1811, when Fig. 9. CHRIST, from a series of drawings:
Christ ...
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 1811, when Fig. 9. CHRIST, from a series of drawings:
Christ ...
Page 15
... treated his subject even more freely;. Fig. 10. PORTRAIT OF A FRANCISCAN
MONK In the Pinakothek at Munich. After a photopraph from the original by Franz
Hanfstangl, Munich. (To page 1 8.) Fig. 17. THE ELEYATION OF THE CROSS.
... treated his subject even more freely;. Fig. 10. PORTRAIT OF A FRANCISCAN
MONK In the Pinakothek at Munich. After a photopraph from the original by Franz
Hanfstangl, Munich. (To page 1 8.) Fig. 17. THE ELEYATION OF THE CROSS.
Page 23
THE ELEYATION OF THE CROSS. Drawing in black and red chalk on green
paper, washed and hightened with white. In the Louvre at Paris. After a
photograph from the original by Braun , Clement & Co., Dornach, Paris and New-
York.
THE ELEYATION OF THE CROSS. Drawing in black and red chalk on green
paper, washed and hightened with white. In the Louvre at Paris. After a
photograph from the original by Braun , Clement & Co., Dornach, Paris and New-
York.
Page 24
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. THE
ELEYATION OF THE CROSS. From an engraving by Witdoek. (To page 34.) Fig.
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. THE
ELEYATION OF THE CROSS. From an engraving by Witdoek. (To page 34.) Fig.
Page 25
THE DESCENT FROM THE CROSS. In the Antwerp Museum. After a photograph
from the original by Braun, Clement & Co., Dornach, Paris and New-York. (To
page 34.) Fig. 19. ST. CHRISTOPHORUS. In the Pinakothek at Munich. After ...
THE DESCENT FROM THE CROSS. In the Antwerp Museum. After a photograph
from the original by Braun, Clement & Co., Dornach, Paris and New-York. (To
page 34.) Fig. 19. ST. CHRISTOPHORUS. In the Pinakothek at Munich. After ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Brussels Carleton charm church Clement Collection Cologne colour commission composition Cross daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Mantua England English engraving executed expression figures Flemish florins France Franz Hanfstangl Gallery at Cassel Gallery at Vienna Gerbier Goddess hand head Helena Fourment Hermitage at St Holy Imperial Museum Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Madonna Madrid Maria de Medici master Medici Gallery mother Munich Pinakothek Museum at Antwerp Museum at Vienna Netherlands Nymphs original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife
Bibliographic information
| Title | Rubens |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |