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Page 14
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 1811, when Fig. 9. CHRIST, from a series of drawings:
Christ ...
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 1811, when Fig. 9. CHRIST, from a series of drawings:
Christ ...
Page 15
... treated his subject even more freely;. Fig. 10. PORTRAIT OF A FRANCISCAN
MONK In the Pinakothek at Munich. After a photopraph from the original by Franz
Hanfstangl, Munich. (To page 1 8.) Fig. 17. THE ELEYATION OF THE CROSS.
... treated his subject even more freely;. Fig. 10. PORTRAIT OF A FRANCISCAN
MONK In the Pinakothek at Munich. After a photopraph from the original by Franz
Hanfstangl, Munich. (To page 1 8.) Fig. 17. THE ELEYATION OF THE CROSS.
Page 23
THE ELEYATION OF THE CROSS. Drawing in black and red chalk on green
paper, washed and hightened with white. In the Louvre at Paris. After a
photograph from the original by Braun , Clement & Co., Dornach, Paris and New-
York.
THE ELEYATION OF THE CROSS. Drawing in black and red chalk on green
paper, washed and hightened with white. In the Louvre at Paris. After a
photograph from the original by Braun , Clement & Co., Dornach, Paris and New-
York.
Page 24
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. THE
ELEYATION OF THE CROSS. From an engraving by Witdoek. (To page 34.) Fig.
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. THE
ELEYATION OF THE CROSS. From an engraving by Witdoek. (To page 34.) Fig.
Page 25
THE DESCENT FROM THE CROSS. In the Antwerp Museum. After a photograph
from the original by Braun, Clement & Co., Dornach, Paris and New-York. (To
page 34.) Fig. 19. ST. CHRISTOPHORUS. In the Pinakothek at Munich. After ...
THE DESCENT FROM THE CROSS. In the Antwerp Museum. After a photograph
from the original by Braun, Clement & Co., Dornach, Paris and New-York. (To
page 34.) Fig. 19. ST. CHRISTOPHORUS. In the Pinakothek at Munich. After ...
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according adorned Albertina at Vienna altar-piece Antwerp appears artist beautiful Brussels charm Christ church Clément Collection Cologne colour commission completion composition Court Cross daughter death decoration designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanſstängl Gallery Gallery at Vienna give hand head Hermitage at St Holy Imperial Infant intended Isabella Italy King known Lady landscape later learned letter Liechtenstein light live Louvre Love Madrid Maria Mary master Medici mother Museum original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish Study town whilst whole wife young
Bibliographic information
| Title | Rubens Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |